Tag Archive for: ARC review

Early Review: NOT HER DAUGHTER

Early Review:  NOT HER DAUGHTERNot Her Daughter by Rea Frey
two-half-stars
Published by St. Martin's Griffin on August 21, 2018
Genres: Fiction, Mystery
Pages: 352
Source: Netgalley
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

MY REVIEW:

Rea Frey’s Not Her Daughter is an engaging story that follows two women, Amy Townsend and Sarah Walker, and how their lives become entwined because of one little girl, Amy’s five-year old daughter Emma.  One day Sarah witnesses Amy behaving abusively toward Emma in the middle of a crowded airport.  She can’t get the incident out of her mind and, when a chance encounter makes their paths cross again and Sarah realizes that Amy’s abusive behavior is a chronic pattern, she decides to take matters into her own hands.  She convinces herself that she’s not really kidnapping Emma, but instead is rescuing her.  As she sets her plan into motion, it raises the question of how far Sarah is really willing to go to make sure Emma is safe?  How much is she willing to risk?

Sounds like an absolutely gripping read, right?  I checked Goodreads and it has plenty of 4 and 5 star ratings, so lots of readers are loving this book.  Sadly, I’m not one of them though so it looks like I’m going to have the Unpopular Opinion review, which is so disappointing because I really thought I would love this one..  I’m going to start with the good though because the book does have plenty of things going for it.

In spite of my overall low rating, there were a few things that I liked about Not Her Daughter, the first being that the author does tackle a very tough subject – kidnapping – and actually does so in a way that you can almost see where the kidnapping is justified.  That, in itself, is quite a feat.  She does this, of course, by making Emma’s home environment appear so completely unhealthy that you can’t help but wish that she could be removed from it.  Her mother is clearly abusive, and her father seems to just sit back and let the abuse happen unchecked.  She also has Sarah run through all of the horrible things about the foster care system as she is considering the best course of action to take to “save” Emma.  Sarah comes to the conclusion that it would be so much better for Emma to just go with her because she appreciates how special Emma is and could love her as her own instead of just dumping her in the system. Not that I would ever condone kidnapping, but it surprised me how convincing the argument Sarah made really was.  I could see this argument being a great starting point for a book club discussion – If you knew for a fact that a child was being abused, what lengths would you go to make sure that child was removed from harm’s way?

I also found it fascinating to have the story presented from the perspective of both Amy and Sarah.  Being able to get inside their heads and see what each of them is thinking is probably the best part of the book.  You get inside of Sarah’s head and understand that she comes from a background where she was abandoned by her mother when she was 8 and so it becomes clear why Emma’s experiences resonate with her to such an extreme.  Even more fascinating, however, are when we get inside of Amy’s head and actually see some of the dark thoughts she has at any given moment, especially when she thinks about whether she even wants Emma to come home.  It’s such a disturbing and non-maternal thing for a mother to think and it’s just a major WOW moment.

If you’re into stories with lots of suspense that will keep you turning the pages, Not Her Daughter really delivers in that area as well.  There are plenty of twists and turns as Sarah tries to evade the authorities, and each twist just ratchets up the suspense that much more.

I think this is going to be a case of “It’s me, not necessarily the book” but I just had several issues with the book that made it not a good fit for me.

The first is that I just didn’t feel a real connection to any of the characters in this book.  I definitely didn’t feel much of anything for Amy, her husband, or Sarah, and even though I felt very sympathetic toward Emma because of what she had gone through in her own house, I still just didn’t feel super connected to her.  Honestly, I would have expected a book on this subject matter to move me to tears, but it didn’t at all.  I just felt like a passive observer, and I’m not sure why – maybe it was the narrative style, I don’t know.

Another issue I had was that I just found some of the things that happened in the story to be farfetched.  I don’t want to give away any spoilers, so I’m going to keep this vague but the ending in particular just seemed like something that would never actually happen and because it felt so unrealistic, I was left unsatisfied with the story as a whole.

Finally, what really took this book down a star for me, was how Amy was described throughout the book.  I get it – she’s a horrible mother who probably never should have had children in the first place and everything about her is supposed to disgust me.  But why do I need to know that she’s an overweight doughy woman who eats way too much cheese, is always gassy, and only poops about once a week?  And why do I need flashbacks of her thinking about giving birth to her children and pushing them out of her “hairy vagina”?  I’m all for vivid descriptions when they add something to the story, but those just felt unnecessary and distracting.

Even though Not Her Daughter wasn’t a good fit for me, I still think many readers will find it a powerful and riveting read.  Because of the moral dilemma that Sarah faces, it’s definitely a book that will make you think.

GOODREADS SYNOPSIS:

Gripping, emotional, and wire-taut, Not Her Daughter raises the question of what it means to be a mother—and how far someone will go to keep a child safe.

Emma Townsend. Five years old. Gray eyes, brown hair. Missing since June.

Emma is lonely. Living with her cruel mother and clueless father, Emma retreats into her own world of quiet and solitude.

Sarah Walker. Successful entrepreneur. Broken-hearted. Kidnapper.

Sarah has never seen a girl so precious as the gray-eyed child in a crowded airport terminal. When a second-chance encounter with Emma presents itself, Sarah takes her—far away from home. But if it’s to rescue a little girl from her damaging mother, is kidnapping wrong?

Amy Townsend. Unhappy wife. Unfit mother. Unsure whether she wants her daughter back.

Amy’s life is a string of disappointments, but her biggest issue is her inability to connect with her daughter. And now Emma is gone without a trace.

As Sarah and Emma avoid the nationwide hunt, they form an unshakeable bond. But what about Emma’s real mother, back at home?

two-half-stars

About Rea Frey

Rea always wanted to be a novelist.

When she was little, her nose was either stuffed in a book, sniffing paper, absorbing words, or letting her imagination wander. If not reading, she was writing. In journals. In notebooks. In diaries. On walls. In the sand. On legal pads. On typewriters. With quills.

In college, she majored in fiction writing and somehow fell into nonfiction and personal training. Her dreams of sitting in a writer’s haven on the water, wrapped in a sweater, penning her stories, was swapped for health and wellness gigs and her first fractured steps into the important world of the Author Platform (aka social media).

After four nonfiction books were published, countless magazine and newspaper articles written, editing jobs taken, content management contracts executed, a gym co-owned, and certifications sought, she realized she was hustling for the wrong type of writing.

So, she quit.

She gave herself a window to write a novel. Eight weeks, she told herself. Eight weeks to change everything.

Never one to back down from a challenge, she wrote her novel in just a month.

The rest went something like this: Secure a phenomenal agent, join a writer’s group, bear witness to the magic of self-belief as the book got into a bidding war and landed her a two-book deal with St. Martin’s Press.

Now, when asked what she does, she says the following: I’m a motherfucking writer.

Rea is a novelist. She writes books. And swears. And drinks lots of coffee. And has a daughter. And a dreamy husband. And still manages to find the magic in books.

She hopes you will put down the phone and pick up a book (preferably hers when it hits the shelves). And find the joy in reading.

Because there’s nothing quite like the power of words…

Blog Tour – Review for THE RAGING ONES

Blog Tour – Review for THE RAGING ONESThe Raging Ones by Krista & Becca Ritchie
four-stars
Series: The Raging Ones, #1
Published by Wednesday Books on August 14, 2018
Genres: Science Fiction, Young Adult Fiction
Pages: 352
Source: Netgalley
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

 

 

 

 

 

 

Today is my stop on the St. Martin’s Press blog tour and I’m thrilled to be able to share my thoughts with you on The Raging Ones by Krista and Becca Ritchie.  For those who are familiar with the Ritchie sisters, you’re aware that they are well known for their steamy romance novels.  The Raging Ones is a different kind of adventure, however.  It’s equal parts coming of age story and space epic, and it’s sure to keep you on the edge of your seat!

 

 

MY REVIEW:

The Raging Ones is the exciting first book in a new science fiction/fantasy series from authors Krista and Becca Ritchie.  The world this series is set in fascinated me from the moment I started reading.  The landscape itself is cold, and the way of life is equally cold and impersonal.  Saltere-3 is a world where everyone knows the exact day they’re going to die and so their entire existence is basically structured around that knowledge.  There are Influentials, who have the longest life expectancies and are given the best educational opportunities and a higher social standing as they are expected to, as their name indicates, have a major impact on the world they live in.  Beneath the Influentials on the social scale are the Fast Trackers, who are expected to live between 13-29 years.  As their name indicates, they live hard and fast, trying to squeeze as much life as possible into the short lifetime they have.  Lastly on the social scale are the Babes, whose life expectancy is no more than 12 years.  What little time they have is spent living an innocent existence with their families.  Everyone accepts this as the normal way of life because no one can escape their death day.

Or can they?  Enter our main characters, Franny Bluecastle, Court Icecastle, and Mykal Kickfall.  On the surface these three characters have absolutely nothing in common – Franny is a poor but street smart Fast Tracker who is preparing for her death day, which is imminent.  Court is a wealthy and educated young man who has done time in prison and now just wants to start a new life somewhere other than this world that he feels has wronged him.  Mykal Kickfall is a Hinterlander who is super protective of those he loves and who also happens to have an unbreakable bond with Court.  Wherever Court goes, Mykal is going with him.

So, what do these three characters have in common?  All three miraculously manage to dodge their death days.  How?  No one knows.  It’s problematic for them, however, for two reasons:  1) they now have no idea when they’re going to die.  It could happen any minute or it may not happen for years.  What was utterly predictable is now the unknown.  And 2) because no one is supposed to be able to escape their death day, they fear what the government will do to them if they were to find out.  So Franny, Court, and Mykal all end up on the run trying to make sure no one finds out that they’ve somehow done the impossible.  Their only hope to avoid detection is to get off Saltare-3 and so they decide to hide their identities and participate in a rigorous competition for highly sought after spots in a new mission to space.  If they can get off the planet, they’ll be safe.  The only catch?  They’ll be competing against the elites of society – people who are better educated, have had far more advantages throughout their lives, and who know (because they know when their death days are) there’s no way they can possibly die no matter how intense and dangerous the competition gets.

 

I was hooked on Franny, Court, and Mykal right away since I always love to root for underdogs and they are immediately cast into that role as soon as they enter the space mission competition.  They are up against nearly impossible odds and the Ritchies do a wonderful job of using that competition and its elimination rounds to build up suspense and convey just how high the stakes are for Franny, Court, and Mykal.  I found myself unable to put the book down once I started reading about the competition because I just had to know if all three of them were going to advance or be eliminated.

Franny was the easiest character for me to relate to, mainly because of the three, she is the last to dodge her death day so all of this is new to her, whereas Mykal and Court dodged theirs years before and so have had time to adjust to the idea that they are different from everyone else.  She’s in the same boat the reader is as far as trying to understand and make sense of a world she thought she understood.  I also loved what a scrappy character she is.

Mykal was also a favorite, mainly just because he’s big and burly but gives off this teddy bear vibe at the same time.  I adored his immediate bond with Franny.  They had this brother/sister thing going on that was just so sweet.

Court was a little harder to get to know because he seems to have put up a lot of emotional walls around him, but I enjoyed watching Franny chip away at those walls and eventually strengthen her bond with Court.

So, what are these bonds I keep speaking of?  This is actually my absolute favorite part of the book.  How did Franny, Court, and Mykal even find each other in the first place?  Because they are empaths!  They share an actual bond where they can basically sense anything and everything about each other.  They sense each other’s emotions as well as physical pain and pleasure.  This sharing can get awkward at times, particularly if either of them becomes physically intimate with someone, because the other two can sense what they are experiencing.  There’s a lot more to the bond, but you get the general idea.  Anyway, by the time the book opens, Court and Mykal have been hanging out together for a while so they’re pretty used to it, but it’s fascinating to watch Franny try to adjust to life where she’s suddenly connected to two people she doesn’t even know.  At times it’s funny and at other times, it can be flat out awkward, but it’s always entertaining regardless.

I also loved the intricate world building with the death days and the social hierarchy of babes, fast trackers, and influentials.  It was all so utterly unique.  What I thought was particularly interesting about the worldbuilding is that the Ritchies do not do a huge info dump at the beginning like some books do.  Instead I had to exercise some patience while I was reading and watch the details of this world gradually unfold.  Again, like Franny, I had to learn as I went.  That might bother some readers but I quite enjoyed the journey.

Lastly, there’s also a plot twist/cliffhanger ending that had me wishing I could immediately get my hands on the next book in the series, so if you like a jaw-dropping ending, this might be the book for you!

 

There were a few times along the way where I had a little trouble distinguishing between the points of view of Court and Mykal.  I don’t know if it was because their bond was so intense or if it was something else altogether, but sometimes I found myself flipping back to the beginning of a chapter to remind myself whose point of view I was getting.  This was mostly at the beginning though and it got much easier to distinguish between them as I got further along in the book and got to know Court and Mykal better.

 

If you’re looking for a unique sci-fi fantasy read with compelling characters and a riveting element of competition, I’d highly recommend giving The Raging Ones a try.  I personally think it’s worth a read just for the experience of following three empaths and exploring their bonds, but the rest of the story is equally riveting as well.

 

GOODREADS SYNOPSIS:

In a freezing world, where everyone knows the day they will die, three teens break all odds.

Franny Bluecastle, a tough city teen, dreams of dying in opulence, to see wealth she’s never known. Like the entire world, she believes it’s impossible to dodge a deathday.

Until the day she does.

Court Icecastle knows wealth. He also knows pain. Spending five years in Vorkter Prison, a fortress of ice and suffering, he dreams of life beyond the people that haunt him and the world that imprisoned him.

Mykal Kickfall fights for those he loves. The rugged Hinterlander shares a frustrating yet unbreakable connection with Court—which only grows more lawless and chaotic as their senses and emotions connect with Franny.

With the threat of people learning they’ve dodged their deathdays, they must flee their planet to survive. But to do so, all three will have to hide their shared bond as they vie for a highly sought after spot in the newest mission to space. Against thousands of people far smarter, who’ll live longer, and never fear death the way that they do.

four-stars

About Krista & Becca Ritchie

Krista & Becca Ritchie are New York Times Bestselling Authors and identical twins, one a science nerd, the other a comic book geek. With their shared passion for writing, they combined their mental powers as kids and have never stopped telling stories. Graduates from the University of Georgia in Biology and English & Journalism, the twin writing duo now lives in Atlanta. The Raging Ones is their first young adult novel.

Early Review: VOX by Christina Dalcher

Early Review:  VOX by Christina DalcherVox by Christina Dalcher
Also by this author: Master Class
four-stars
Published by BERKLEY on August 21, 2018
Genres: Fiction, Science Fiction
Pages: 336
Source: Netgalley
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

MY REVIEW:

Christina Dalcher’s Vox is a dystopian novel set in America in the not-so-distant future.  Instead of being the land of the free and the home of the brave, however, Dalcher’s America is one where radical religious fundamentalists have taken the reins of power and have implemented what they call the “Pure Movement.”  What the Pure Movement entails is basically stripping women of all of their basic rights, including the right to speak. One day women are just removed from the workforce and fitted with bracelets that count the number of words they speak.  If they go over the their daily allotment of 100 words, or if they try to skirt the 100 word limit by using any form of non-verbal communication, there are severe consequences.

Girls are also placed into different schools from boys and no longer receive the same caliber of education.  They are taught how to do basic arithmetic and how to do household chores like sewing and cooking, the idea being that they are meant to take care of household responsibilities while the men in their lives go out and earn a living.  Cameras have been mounted everywhere to make sure women and girls are falling into line as expected and punishments are readily doled out if they are not complying.

Needless to say, life is pure hell for women like Dr. Jean McClennan, the protagonist in Vox.  Jean is a renowned linguist who was engaged in groundbreaking research that would benefit stroke victims when she is forced out of work and fitted with a bracelet.  Jean is in denial that this is actually happening and she’s absolutely furious at herself for not seeing the signs and not trying to do something to stop this movement from taking hold.  She’s also angry at the men in her life for going along with it and she’s furious at women like her neighbor, Mrs. King, who seem perfectly content with this new way of life.  Most of all, Jean is livid because of how quickly she sees her young daughter fall into line and embrace the idea of speaking as few words in a day as possible.

So what happens when Jean is offered a temporary reprieve from her new way of life because the President needs her expertise?  Can she figure out a way to put a stop to this horrid movement before she, her daughter, and all American women are stripped of their voices?

 

Gosh, where to start with this book?!  I’m always a big fan of books that really make me think and that get to me on an emotional level, and wow, does this book ever fit the bill in both of those categories!  I think The Handmaid’s Tale and maybe The Hunger Games are the last two books I’ve read that got to me the same way Vox did.  I was so angry the whole time I was reading and lost track of how many times I just wanted to fling it across the room.  Why?  I think because even though the book falls into the dystopian category, it just felt so darn plausible.  Way too plausible, honestly, especially given the current administration in charge in the U.S. How many times have we heard this President make sexist and derogatory comments about women?  I get the feeling that he and his cronies would be all too happy to shut women up if they could and so this book resonated with me immensely for that reason.  If I wasn’t already an activist prior to reading Vox, it would definitely motivate me to become one.

In addition to how much it resonated with me and made me think about our government and how easily things could go horribly wrong if a radical movement were to take hold, I also loved how the author really thought of every little detail as she was building this dystopian version of America.  My very first question while reading was why wouldn’t all women just flee the country as soon as they got wind of what the founders of this movement had in mind?  The author took care of that right away by having their passports confiscated.  And it was like that all along the way…every time I thought of something that made a world like this seem highly unlikely, Dalcher immediately came up with something that made it suddenly seem all too likely.  She really thought of every little detail and made the idea of this kind of society frighteningly realistic, especially when she illustrates how this group pushes their agenda using the schools so as to indoctrinate them at a young age.

Another huge selling point of the book for me was, of course, the protagonist, Dr. Jean McClennan.  Can you imagine being at the top of your field in such an important line of work and suddenly being told to go home and shut up?  I felt tremendous sympathy for her, not just for her own loss of voice but also because she has to watch her daughter grow up accepting such a horrible way of life.  I thought the author did an incredible job of portraying the array of emotions that Jean was feeling – the initial denial, the anger, the frustration, the growing hostility toward the men around her, including her own eldest son who seems to have immediately embraced the Pure Movement, all of it is palpable and as a mother, I found it all so easy to relate to.

 

Overall, I thought Vox was an incredibly well written and gripping read.  The only real issue I had with it was that it felt like the ending wrapped up a little too quickly.  It just felt a little rushed and like maybe a few things fell into place a little too conveniently.

 

Vox is an utterly terrifying book in part because even though it’s supposed to be a dystopian read, it seems like something that could easily happen if the wrong people were ever in power.  It serves as a warning to us all to never take for granted what we consider to be our rights and to pay attention to what is going on at all levels of government.  The world on display in Vox is reminiscent of what we see in Margaret Atwood’s The Handmaid’s Tale so I’d definitely recommend to fans of that book and TV series.

 

 

 

GOODREADS SYNOPSIS:

Set in an America where half the population has been silenced, VOX is the harrowing, unforgettable story of what one woman will do to protect herself and her daughter.

On the day the government decrees that women are no longer allowed more than 100 words daily, Dr. Jean McClellan is in denial–this can’t happen here. Not in America. Not to her.

This is just the beginning.

Soon women can no longer hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words a day, but now women only have one hundred to make themselves heard.

But this is not the end. 

For herself, her daughter, and every woman silenced, Jean will reclaim her voice.

four-stars

About Christina Dalcher

Christina Dalcher earned her doctorate in theoretical linguistics from Georgetown University. She specializes in the phonetics of sound change in Italian and British dialects and has taught at universities in the United States, England, and the United Arab Emirates.

Her short stories and flash fiction appear in over one hundred journals worldwide. Recognitions include the Bath Flash Award’s Short List; nominations for The Pushcart Prize, Best of the Net, and Best Small Fictions; and multiple other awards. She teaches flash fiction as a member of the faculty at The Muse Writers Center in Norfolk, Virginia. Laura Bradford of Bradford Literary Agency represents Dalcher’s novels.

After spending several years abroad, most recently in Sri Lanka, Dalcher and her husband now split their time between the American South and Naples, Italy.
Her debut novel, VOX, will be published in August 2018 by Berkley (an imprint of Penguin Random House).

Review: THE POINT by John Dixon

Review:  THE POINT by John DixonThe Point by John Dixon
four-stars
Published by Del Rey Books on August 7, 2018
Genres: Thriller, Science Fiction
Pages: 320
Source: Netgalley
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

MY REVIEW:

I really enjoyed John Dixon’s last two novels, Phoenix Island and Devil’s Pocket.  They were fast-paced, action-packed reads that kept me on the edge of my seat the entire time I was reading them.  Since I enjoyed those so much, I was eager to get my hands on a copy of The Point as soon as I heard about it, especially once I read the synopsis and saw that it was set at West Point Military Academy.

The Point follows the story of Scarlett Winter, a rebellious, thrill seeking teenager who has no interest in conforming to whatever life plans her parents have dreamed up for her. She just wants to do her own thing and be left alone.

That is, until one night when she finds herself on the wrong side of the law.  Scarlett tries to sneak into a party one of her former friends is having.  She knows she’s not invited but thinks it will be a good time to sneak in and shock everyone.  Instead, she stumbles upon some other folks who are lurking on the property planting a bomb.  She throws herself on the bomb and when it explodes, she walks away, basically unharmed.  Witnesses see her at the scene of the crime and before she knows it, two military recruiters come knocking at her door.  They know that she has some kind of superhuman power and they present her with an ultimatum – she can either attend West Point and serve in the military for a few years, or she can go to prison.

Scarlett chooses West Point, of course, but has no idea what’s in store for her once she gets there.  Can she tame her rebellious nature enough to keep from getting kicked out of West Point?  And what happens when a threat from the school’s dark past emerges placing Scarlett and all of her fellow classmates in danger?   Scarlett may be the only one with powers great enough to neutralize the threat, but will she rise to the occasion for the greater good?

Scarlett.  I’ll confess right now that I was not a big fan of Scarlett’s at first.  While I admired her sense of independence and her adventurous spirit, I was a little put off by the way she completely blew off her high school graduation ceremony –without telling her family – so that she could go off and get high with her boyfriend.  Scarlett just lets her parents go to the school and sit in that audience, only to end up shocked and embarrassed when her name was called and she’s not there. All I could think at that moment was “What kind of person even does that?”

That said, Scarlett also quickly began to grow on me the more I got to know her and could see firsthand the dysfunctional family dynamic that she was surrounded by.  Her father is abusive towards her older brother Dan, who then proceeds to hand down his own brand of abusive behavior to Scarlett, while their mother just sits by and lets it all happen.  It became so much easier to understand why Scarlett had such a rebellious streak.

I actually flat out fell in love with Scarlett once she arrives at West Point.  I am always one to cheer on an underdog and it’s clear from Scarlett’s first moments on campus that that’s exactly what she is.  Everyone around her is out to make her life hell and I became extremely invested in cheering on her successes and seeing her really grow and mature as she comes to embrace a life where she is part of something bigger:  the Long Gray Line.

West Point (and The Point).  I have a thing for books that are set in schools so I was thrilled to learn that the bulk of this book is set at West Point military academy.  Dixon has clearly done his research and beautifully captures the atmosphere of what it’s like for a plebe to walk onto this prestigious campus for the first time.  I also thought the whole concept of The Point, a secret training unit for superhumans located beneath the main campus was brilliant.

Superhuman Powers.  The superpowers were, by far, my favorite part of The Point.  And when I say superpowers, I’m talking X-Men, Marvel, whatever — pick your favorite superhero and imagine someone with their powers being trained to serve as a special strike force in the U.S. military.  There are students who can engage in combat using telekinesis, students who can walk through and manipulate the dreams of others, and then there’s Scarlett, who may truly end up being the most important weapon of all:  Scarlett has the ability to absorb and temporarily store any raw energy that is directed at her, and then redirect and release it toward whatever target she chooses.  I thought it was fascinating to watch Scarlett and her classmates practice and hone their incredible powers.

Excellent Pacing and Lots of Action.  If you like a fast-paced novel with plenty of vivid action scenes, you won’t be disappointed.  This book grabbed my attention from the first page and I devoured it in a day!

The only issue I had with The Point is that I would have liked the explanation for how those with the superhuman powers actually acquired them to have come earlier in the novel. I was glad to finally get the explanation towards the end of the novel and I thought the explanation itself was very well done, but I would have preferred it earlier so that I didn’t spend so much time wondering about it while reading.

John Dixon’s The Point is an action packed thriller that I’d highly recommend to anyone who enjoys military and/or superhero novels.   It also has a powerful coming of age story woven in with Scarlett and her journey, so I’d also recommend it to anyone who likes stories that feature strong heroines.

 

 

GOODREADS SYNOPSIS:

What if you had a power you had to hide from everyone–until now? In this bold sci-fi action thriller, a secret training program at West Point is turning misfits into a new generation of heroes.

Welcome to The Point, future leaders of the Posthuman Age.

New Cadets, society is not ready for you. The oldest, fiercest fear is ignorance. The general population would burn you at the metaphorical stake.

Here, you will train alongside other posthumans. You will learn to control and maximize your powers and to use them for the greater good. You will discover camaraderie and purpose.

You will become a part of something bigger than yourselves: the Long Gray Line. 

Scarlett Winter has always been an outsider, and not only because she’s a hardcore daredevil and born troublemaker–she has been hiding superhuman powers she doesn’t yet understand. Now she’s been recruited by a secret West Point unit for cadets with extraordinary abilities. Scarlett and her fellow students are learning to hone their skills, from telekinetic combat to running recon missions through strangers’ dreamscapes. At The Point, Scarlett discovers that she may be the most powerful cadet of all. With the power to control pure energy, she’s a human nuclear bomb–and she’s not sure she can control her powers much longer.

Even in this army of outsiders, Scarlett feels like a misfit all over again, but when a threat that endangers her fellow students arises from the school’s dark past, duty calls and Scarlett must make a choice between being herself and becoming something even greater: a hero.

 

four-stars

About John Dixon

John Dixon’s debut novel, Phoenix Island, and its sequel, Devil’s Pocket, won back-to-back Bram Stoker Awards and inspired the CBS TV series Intelligence. A former boxer, teacher, and stone mason, John lives in West Chester, PA, with his wife, their daughter, and a freeloading dog. When not reading or writing, he obsesses over boxing, chess, and hot peppers.

Review: THE MERMAID by Christina Henry

Review:  THE MERMAID by Christina HenryThe Mermaid by Christina Henry
Also by this author: The Girl in Red
four-half-stars
Published by BERKLEY on June 19, 2018
Genres: Historical Fiction, Fantasy
Pages: 325
Source: Netgalley
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

MY REVIEW:

 

Christina Henry’s The Mermaid is a captivating reimaging of the FeeJee Mermaid, one of P.T. Barnum’s infamous hoaxes from the 1840’s. In Henry’s version of the tale, the Mermaid is not a hoax at all.  Amelia is a real, live mermaid who lives in the sea until one day when a fisherman catches her in his net.  When their eyes meet, Amelia instantly knows that she wants to spend her life with this man, and so when he cuts her free from his net, instead of fleeing to safety, Amelia chooses to come ashore, find the fisherman, and live as his wife.  They live together in a cabin overlooking the ocean until the fisherman is lost at sea and Amelia is left all alone.

Rumors about the existence of a mermaid reach the ears of P.T. Barnum, who is always on the lookout for new attractions for his museum.  When he hears about Amelia, he knows she is sure to be a money maker for him if he can convince her to join him.  He sends an associate to find her and after meeting Barnum, Amelia agrees to play the mermaid in one of Barnum’s attractions.  She sets her own terms – a 6 month contract and enough money to be able travel anywhere in the world she wishes to go – and they sign a contract.

At first Amelia is somewhat intrigued by the idea of showing the world what a real mermaid looks like, but the more she sees of humanity and how people behave, the less enamored she is with the idea and the more determined she is to leave the show as soon as her contract is up.

Will Amelia ultimately be free to leave Barnum when her contract is up or will Barnum’s determination to hold on to his moneymaker lead him to try and stand in her way?

 

Appealing main character.  I was drawn to Amelia from the first moment we meet her.  First of all, I loved that Henry chose not to give Amelia the half woman half fish appearance that typically comes to mind when we think of mermaids.  Instead, she gives Amelia the appearance of being something truly born from the sea.  Her body is completely covered in silvery scales and she doesn’t really resemble a human in any way.  In addition to giving her this unexpected appearance, Henry also makes Amelia’s transformation from mermaid to human and vice versa sound so beautiful.  I loved the idea that it was solely Amelia’s choice which form she took and that all she needed was sand to become human and ocean water to turn back into a mermaid.  I thought Henry just did such a beautiful job of bringing this mythology to life.

What really captivated me about Amelia, however, wasn’t really the way she looked.  It had more to do with the feminist twist that Henry gives her.  Amelia is a force to be reckoned with, a woman ahead of her time, and it’s mainly because coming from the sea, she really has no idea how society expects women to behave.  The more she learns about society’s expectations for women, the more she begins to dislike the whole idea of society.  She values her own freedom and independence above all else, and she has no use for anyone who tries to stand in her way and hold her back.  Because of this, she stands up to Barnum and challenges him in ways that he never expects to be challenged.  Barnum is portrayed as kind of a jerk as well so it makes it very easy to cheer Amelia on.

 Atmospheric writing:  The Mermaid is not what I would consider to be a fast paced novel.  Instead, it’s one of those novels where the storytelling is just so exquisite I felt as if a spell was being cast over me drawing me deeper and deeper into the tale with each page that I read.

Henry’s use of vivid descriptions made me feel like I had stepped back in time to 1840’s America.  I could feel my nose wrinkling in disgust at some of the less savory smells that were present on the streets of a less than sanitary New York City.  In contrast, Henry’s attention to detail also made me feel like I was at the ocean with Amelia.  I could practically hear the waves slapping the shore and smell the salt in the air.  Henry’s writing reminds me very much of Alice Hoffman’s, which is a good thing since Hoffman is one of my favorites.

Social commentary:  For the most part, The Mermaid reads like part fairy tale/part historical fiction.  It’s whimsical and almost otherworldly at times because of the mermaid’s presence and the mythology surrounding her, but at the same time, the story also contains a powerful social commentary on the lack of women’s rights and about how restricting societal expectations for women were during this time period.  It becomes especially evident in scenes between Amelia and Barnum’s wife, Charity.  There are many times when Charity is the one who seems like she’s living in a cage rather than Amelia.  Amelia even begins to pity Charity because she has so little freedom.

Amelia not only sees and speaks out against the fundamental wrongness of this lack of rights for women, but she also exposes how inhumane humans can actually be.  She is appalled by the idea that Barnum thinks he has a right to own people or animals, and she is also dismayed when the mermaid tour travels south and she sees slaves working the fields and being mistreated.  Through Amelia’s eyes, Henry delivers a pretty clear message that humans could use a little more humanity.

 

The only issue I really had with the novel was the character of Levi Lyman.  He is the associate of Barnum’s who is sent to find the Mermaid in the first place.  I liked him well enough, especially in the sense that he clearly had Amelia’s best interests at the forefront of his mind at all times.  My only issue was that it felt like I didn’t really get to know nearly as much about him as I would have liked.  Same thing with Barnum’s wife, Charity.  They both intrigued me and while there were hints of what they were like, I just wanted a little more.

 

The Mermaid is a beautifully written story that is sure to captivate fans of both historical fiction and mythology.  One caveat I’ll add is that Henry admits she has written the version of Barnum that she needed for this story, so I’d recommend taking this portrayal of him with a grain of salt since this isn’t meant to be a biography.  It is an exquisite work of fiction though and I fully expect it to land of my list of favorite 2018 reads.

 

 

GOODREADS SYNOPSIS:

From the author of Lost Boy comes a historical fairy tale about a mermaid who leaves the sea for love and later finds herself in P.T. Barnum’s American Museum as the real Fiji mermaid. However, leaving the museum may be harder than leaving the sea ever was.

Once there was a mermaid who longed to know of more than her ocean home and her people. One day a fisherman trapped her in his net but couldn’t bear to keep her. But his eyes were lonely and caught her more surely than the net, and so she evoked a magic that allowed her to walk upon the shore. The mermaid, Amelia, became his wife, and they lived on a cliff above the ocean for ever so many years, until one day the fisherman rowed out to sea and did not return.\

P. T. Barnum was looking for marvelous attractions for his American Museum, and he’d heard a rumor of a mermaid who lived on a cliff by the sea. He wanted to make his fortune, and an attraction like Amelia was just the ticket.

Amelia agreed to play the mermaid for Barnum, and she believes she can leave any time she likes. But Barnum has never given up a money-making scheme in his life, and he’s determined to hold on to his mermaid.

four-half-stars

About Christina Henry

CHRISTINA HENRY is the author of the CHRONICLES OF ALICE duology, ALICE and RED QUEEN, a dark and twisted take on Alice’s Adventures in Wonderland, as well as LOST BOY: THE TRUE STORY OF CAPTAIN HOOK, an origin story of Captain Hook from Peter Pan.

She is also the author of the national bestselling BLACK WINGS series (BLACK WINGS, BLACK NIGHT, BLACK HOWL, BLACK LAMENT, BLACK CITY, BLACK HEART and BLACK SPRING) featuring Agent of Death Madeline Black and her popcorn-loving gargoyle Beezle.

ALICE was chosen as one of Amazon’s Best Books of the Year in Science Fiction and Fantasy for 2015. It was also a Goodreads Choice Award nominee in Horror and one of Barnes & Noble’s Bestselling Science Fiction and Fantasy novels of 2015.

She enjoys running long distances, reading anything she can get her hands on and watching movies with samurai, zombies and/or subtitles in her spare time. She lives in Chicago with her husband and son.

Review: BELIEVE ME by J.P. Delaney

Review:  BELIEVE ME by J.P. DelaneyBelieve Me by J.P. Delaney, Tony Strong
Also by this author: The Girl Before, The Perfect Wife
three-half-stars
Published by Ballantine Books on July 24, 2018
Genres: Mystery, Thriller
Pages: 352
Source: Netgalley
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

MY REVIEW:

J.P. Delaney is back with another riveting psychological thriller that is sure to keep you on the edge of your seat.  Believe Me follows Claire Wright, a young British woman living in America who aspires to be an actor.  When we meet Claire, she is struggling financially.  She doesn’t have a green card which makes it difficult to find legitimate employment.  She ends up working on the sly for a team of divorce lawyers, where she uses her acting talents to entrap cheating husbands and obtain video evidence for their wives.

Everything changes in Claire’s life, however, when one of the wives she is trying to obtain evidence of cheating for turns up dead.  Believing that the woman’s husband is the murderer and that his wife might not be his only target, law enforcement officers approach Claire about using her talents to try to lure the husband into a confession.  With the promise of a green card and a lot of cash dangled in front of her, Claire agrees.

Claire is a brilliant actor, but will she be able to help law enforcement catch the killer or will she end up in over her head?  All I can say is buckle up and prepare for a wild ride!

Believe Me is one of those novels that I feel like I can’t say much about because I don’t want to give anything away, so I’m just going to mention a couple of quick highlights that I really enjoyed.

It probably seems weird to start off talking about the structure of a novel, but I have to admit this was my favorite part about Believe Me.  The main character Claire, who as I’ve mentioned is an aspiring actor, often goes through life imaging incidents in her life as if they are scenes from a script.  Since we are watching the events of the story unfold from Claire’s perspective, Delaney actually weaves together a tale that is mostly straight narrative, but which occasionally has little bits of script incorporated in as well to mimic how Claire imagines certain scenes playing out, complete with stage directions and dialogue she has scripted out in her head.  At first, I worried that the script bits might seem a little gimmicky, but in the end, they really worked well for me.

Aside from the unique structure, I also enjoyed that the plot was filled with suspenseful twists and turns that kept me guessing from start to finish.  The twists were such that it oftentimes made it hard to distinguish between what was real and what was fake in terms of Claire’s role in the murder investigation as well as what exactly was going on with the husband.  I tried to predict what direction the story was taking a few times along the way but was so wrong each time that I finally decided to just settle in and enjoy the wild ride Delaney was taking me on.  The fact that his writing flows so smoothly makes it easy to do that and just trust that the ride is going to be worth it in the end.

The main issue I had with Believe Me was that I just never really felt a connection to Claire.  Because she played so many different roles throughout the course of the novel, I never felt like I knew who the real Claire was.  Whenever she said something about herself, I took it with a grain of salt because I was never convinced she was being honest.  While that kind of personality was helpful in terms of maintaining the novel’s premise of not knowing what was real and what was fake, it left me feeling very detached from Claire.  Even when she was potentially in danger, I found that I didn’t really care.  I wanted to know what was going to happen, of course, but it wasn’t a case where I was worried for her well being at all.  If I had been able to better connect with Claire, this would have easily been a 4 star read for me.

There’s so much more I would love to say about Believe Me, but because I don’t want to spoil the mystery, I’m just going to say that I’d highly recommend this book to anyone who enjoys riveting psychological thrillers and to fans of Delaney’s last book, The Girl Before.  If you enjoyed that one, I think you would also enjoy Believe Me.

GOODREADS SYNOPSIS:

In this twisty psychological thriller from the New York Times bestselling author of The Girl Before, an actress plays both sides of a murder investigation.

A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected.

Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide.

Then the game changes.

When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession.

Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy…and who is the prey?

 

three-half-stars

About J.P. Delaney

J. P. Delaney is the pseudonym of a writer who has previously published best-selling fiction under another name. .

Review: CHARLOTTE WALSH LIKES TO WIN

Review:  CHARLOTTE WALSH LIKES TO WINCharlotte Walsh Likes To Win by Jo Piazza
three-half-stars
on July 24, 2018
Genres: Fiction, Contemporary Fiction
Pages: 320
Source: Netgalley
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

MY REVIEW:

Jo Piazza’s Charlotte Walsh Likes to Win is a timely and relevant exploration of what it’s like for a woman to run for political office at the national level. I have to admit that I picked this book up in part because I still have very strong feelings about how the 2016 Presidential election turned out and was therefore very curious to see how a book about a woman running for office written after that election would portray the political climate in America.

Charlotte Walsh is the successful head of a technology firm in Silicon Valley. She decides that she wants to run for office and after talking to her husband, packs up her family and moves back home to Pennsylvania to run for Senate in her home state.  The novel follows Charlotte and her family from the moment she decides to run and hires a campaign manager, through every step of the way up through election night.  We crisscross Pennsylvania with Charlotte as she seeks supports from the state’s very diverse population and we sit in on strategy sessions as she and her team plan their next moves.

In that sense it’s a very political novel, but it’s also so much more than that.  While the primary focus of the book is definitely Charlotte’s campaign, her family and especially her marriage are also a huge focus.  The campaign trail takes a huge toll on families, not just because everything moves at such a grueling pace but also because everything in your life past and present is suddenly on display and up for grabs by the media, the opposition, etc.  If you have any skeletons whatsoever in your closet, no matter how well you think you’ve buried them, there’s always the chance they will come back to haunt you.  All of this makes campaigning stressful and requires a great deal of sacrifice, and anyone who runs for office has to decide how much they’re willing to sacrifice to achieve their ambition.  Part of Charlotte’s journey in this book revolves around how much she is willing to sacrifice to earn that Senate seat.

I liked Charlotte from the moment she is introduced.  Those who know my reviews know I love a good underdog, and who is more of an underdog than a woman with no experience in government running for office in hopes of unseating a Senator who has had held his Senate seat for decades?  While Charlotte has to fight tooth and nail for every percentage point she gains in the polls, her opponent can tell lie after lie, behave like a condescending jerk, and even go so far as to call Charlotte a c*nt on stage at a debate and not lose a single percent in the polls.  Charlotte was an easy character to root for in many ways not just because of what she was up against, but also because for me, she represents all of the women who have decided to run for office after what happened in 2016.  Through Charlotte, Piazza gives her readers a pretty accurate snapshot of what probably every female candidate running for office is going through.

In fact, my favorite part of Charlotte Walsh Likes to Win was how truly authentic Charlotte’s campaign for senate felt.  Piazza does a brilliant job of conveying both the sacrifice that a grueling campaign can take, both physically and emotionally, on not only the candidate but also on his or her entire family, as well as the double standard and hypocrisy that is ever present when a woman runs for office versus when a man runs for office.  From the moment Charlotte announces her candidacy, she has to start answering questions, basically justifying why she is running, why her life isn’t good enough as is without running for office, and even obnoxious trivial things like why she chooses to wear the shoes she does, the nail polish she does, etc.  She is hit with this endless barrage of ridiculous questions that no one would ever ask a male candidate.

There were times when I wanted to say that the questions were over the top, but just following Hillary Clinton’s campaign for the Presidency in 2016 was enough to tell me Piazza is spot on with how she portrays Charlotte’s campaign.  While every candidate who runs for office has their life scrutinized for anything that can be used against them, a female candidate’s life is truly placed under a microscope and it’s truly appalling to see what their opponents will use as weapons against them.  In Charlotte’s case, for example, her opponent actually has the gall to imply that she would be an ineffective senator because she is the mother of young children.  He actually states that she would neglect her duties as a senator every time one of her children has so much as a runny nose, as if being a mother is a detriment or handicap.  That hypocrisy and the double standard kept me fired up and turning the pages.  The more I read, the more infuriated I got, and the more I wanted to see Charlotte kick her opponent’s butt.

I wasn’t the biggest fan of the third person point of view used in this story.  I felt like it kept me from fully connecting with Charlotte. It’s probably something that wouldn’t bother many others, but I think this would have been at least a 4-star read for me easily if the story had been written from Charlotte’s point of view in first person.

I also would have preferred a more definitive ending.  I don’t want to spoil anything so I’m not going to say much more here other than there were a few loose ends I wanted tied up that were left wide open.

Charlotte Walsh Likes to Win is a powerful read that explores themes of politics, inequality, marriage, and infidelity.  Charlotte and her family’s journey is one that should be relevant and engaging for all readers, especially women, no matter where you fall on the political spectrum.

 

GOODREADS SYNOPSIS:

From Jo Piazza, the bestselling author of The Knock OffHow to Be Married, and Fitness Junkie, comes an exciting, insightful novel about what happens when a woman wants it all—political power, a happy marriage, and happiness—but isn’t sure just how much she’s willing to sacrifice to get it.

Charlotte Walsh is running for Senate in the most important race in the country during a midterm election that will decide the balance of power in Congress. Still reeling from a presidential election that shocked and divided the country and inspired by the chance to make a difference, she’s left behind her high-powered job in Silicon Valley and returned, with her husband Max and their three young daughters, to her downtrodden Pennsylvania hometown to run in the Rust Belt state.

Once the campaign gets underway, Charlotte is blindsided by just how dirty her opponent is willing to fight, how harshly she is judged by the press and her peers, and how exhausting it becomes to navigate a marriage with an increasingly ambivalent and often resentful husband. When the opposition uncovers a secret that could threaten not just her campaign but everything Charlotte holds dear, she has to decide just how badly she wants to win and at what cost.

A searing, suspenseful story of political ambition, marriage, class, sexual politics, and infidelity, Charlotte Walsh Likes to Win is an insightful portrait of what it takes for a woman to run for national office in America today. In a dramatic political moment like no other with more women running for office than ever before, Jo Piazza’s novel is timely, engrossing, and perfect for readers on both sides of the aisle.

 

 

three-half-stars

About Jo Piazza

Jo Piazza is an award-winning journalist, editor, digital content strategist and author.

Her latest book, How to be Married will be released by Penguin Random House in April 2017.

Her novel, The Knockoff, became an instant international bestseller in May 2015 and has been translated into 13 languages.

She has written and reported for The Wall Street Journal, The New York Daily News, the New York Times, New York, Glamour, CNN, Elle, Marie Claire and Slate.

Jo regularly appears as a commentator on NPR, CNN, Fox News and MSNBC.

Her nonfiction book about progressive American nuns, If Nuns Ruled the World, was released to critical acclaim in September of 2014. The New York Times columnist Nick Kristof wrote about it in the Sunday Times: “In an age of villainy, war and inequality, it makes sense that we need superheroes. And after trying Superman, Batman and Spider-Man, we may have found the best superheroes yet: Nuns.”

Jo lives in San Francisco with her giant dog and her husband.

Review: NOT THAT I COULD TELL by Jessica Strawser

Review:  NOT THAT I COULD TELL by Jessica StrawserNot That I Could Tell by Jessica Strawser
Also by this author: Forget You Know Me
four-stars
Published by St. Martin's Press on March 27, 2018
Genres: Fiction, Mystery
Pages: 320
Source: Netgalley
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

MY REVIEW:

Jessica Strawser’s latest novel Not That I Could Tell is a riveting mystery that will have you looking at your neighbors and wondering how well you really know them.  The story is set in a quiet, little neighborhood in a small town in Ohio, one of those towns where everyone thinks they know everything about everyone.  A group of women who live on the same street decide they need a girls’ night so neighbor Clara takes the lead and offers to host a bonfire at her house one Saturday night.  The moms in the group test their baby monitors and realize with glee that their monitors will work from Clara’s yard, so the party is a go.  It’s a relaxing, casual affair, just good friends, wine, and a little gossip. Absolutely nothing out of the ordinary is said or done, but by Monday morning, one of the women, a mother named Kristin, along with her two young children, has gone missing.

None of the women who were at the party that night can make any sense out of Kristin’s disappearance. As far as any of them can remember, she didn’t say anything out of the ordinary at the party and didn’t mention anything about traveling.  The police are investigating the disappearance but they just seem to be going in circles, turning up more questions than they are answers.  And then there’s Kristin’s soon-to-be ex-husband, who has all but moved back into their house.  He claims that he just wants to be there in case they come back, but things just don’t quite seem to add up.

Did Kristin take a trip and just forget to tell anyone?  Did something happen to make Kristin pack up her children and flee?  Or is something even more sinister afoot?  Is Kristin’s ex somehow involved?  Or are Kristin’s friends just reading way too much into things?  Did they not know their friend as well as they thought they did?

There’s so much to like about Not That I Could Tell, but I think my favorite thing about it is that it’s a story about so much more than just Kristin’s disappearance.  Yes, it’s about that and in that sense, it’s a completely engrossing mystery, but at the same time, it just has so many more layers to it than just a straight forward mystery.

It’s also a story about the women in Kristin’s neighborhood, particularly stay-at-home mom Clara and neighborhood newcomer Izzy.  Kristin’s disappearance triggers painful memories for both of them and the story also follows how they deal with the emotional fallout.  For Clara, it triggers memories of a tragic event involving a friend who was a victim of domestic violence.  This leads her to immediately suspect Kristin’s ex of foul play because she can’t seem to separate what happened to her friend from what may or may not have happened to Kristin.  For Izzy, who has moved to the neighborhood in an attempt to escape the heartbreak of an unrequited love, Kristin’s disappearance serves as a distraction but also as a reminder that you can’t always outrun your problems and sometimes you have to just face them head on.  Unlike Clara, Izzy tries to be more open minded when it comes to Kristin’s ex since she knows what it’s like to love someone who no longer loves you back. Izzy even starts to befriend Kristin’s ex because she feels sorry for him, which really gets Clara fired up and leads to many tense moments between them as they continue to wait for news about Kristin from the police.

The author keeps all three of these women front and center by having the story unfold from each of their perspectives in alternating chapters.  We got to watch bits and pieces of the investigation into Kristin’s disappearance come together, while simultaneously watching Izzy and Clara as they work through those emotional issues that Kristin’s disappearance has dredged up for them. Kristin’s chapters are actually the most powerful – they are concise and emotionally raw – slowly but surely painting a painful journey that takes us up to the moment of her disappearance. Kristin’s chapters were also the ones that most effectively built up suspense as they seem to indicate more and more along the way that her life was much more troubled than she ever let her friends know.

I also loved how the author really delved into the psyches of each of these women while, at the same time, advancing the storyline of such an intricate mystery.  Her characterizations are so rich and so realistic – I found both Clara and Izzy to be so relatable.  They could easily be any of my own neighbors and so I found myself very sympathetic to what they were going through.

It took me a few chapters to really get into the rhythm of this story, but once I got going, I was really hooked.

Not That I Could Tell is a gripping and suspenseful read that had me turning the pages well into the night because I so desperately wanted to know what had happened to Kristin.  It’s a domestic drama written in the vein of books like Big Little Lies and TV shows like Desperate Housewives, so if you’re a fan of either of those, I’d definitely recommend this book to you.

GOODREADS SYNOPSIS:

When a group of neighborhood women gathers, wine in hand, around a fire pit where their backyards meet one Saturday night, most of them are just ecstatic to have discovered that their baby monitors reach that far. It’s a rare kid-free night, and they’re giddy with it. They drink too much, and the conversation turns personal.

By Monday morning, one of them is gone.

Everyone knows something about everyone else in the quirky small Ohio town of Yellow Springs, but no one can make sense of the disappearance. Kristin was a sociable twin mom, college administrator, and doctor’s wife who didn’t seem all that bothered by her impending divorce—and the investigation turns up more questions than answers, with her husband, Paul, at the center. For her closest neighbor, Clara, the incident triggers memories she thought she’d put behind her—and when she’s unable to extract herself from the widening circle of scrutiny, her own suspicions quickly grow. But the neighborhood’s newest addition, Izzy, is determined not to jump to any conclusions—especially since she’s dealing with a crisis of her own.

As the police investigation goes from a media circus to a cold case, the neighbors are forced to reexamine what’s going on behind their own closed doors—and to ask how well anyone really knows anyone else.

four-stars

About Jessica Strawser

Jessica Strawser is the Editor-at-Large for Writer’s Digest magazine, where she served as editorial director for nearly a decade. Her debut novel, ALMOST MISSED YOU (St. Martin’s Press), was a Barnes & Noble Best New Fiction Selection upon its March 2017 release, as well as a She Reads Book Club Selection and a PopSugar Best Spring Read. Her second, NOT THAT I COULD TELL, was a bestselling Book of the Month selection for March 2018, and is now new in paperback and available at Target stores nationwide, with a bonus Reading Group Gold guide included.

Her latest novel of domestic suspense, FORGET YOU KNOW ME, released Feb. 5, 2019, from St. Martin’s Press, having been named to “Best Of” and “Most Anticipated” lists from Goodreads, PopSugar, BookBub, and elsewhere. In a starred review, Publishers Weekly calls the novel “masterful,” saying, “fans of well-written suspense are in for a treat.”

Her diverse career in the publishing industry spans nearly two decades and includes stints in book editing, marketing and public relations, and freelance writing and editing. A Pittsburgh native and “Outstanding Senior” graduate of Ohio University’s E.W. Scripps School of Journalism, she counts her New York Times Modern Love essay and her Writer’s Digest cover interviews with such luminaries as Alice Walker, Anne Tyler and David Sedaris among her career highlights. She lives in Cincinnati, Ohio, with her husband and two children, and has recently been named the 2019 Writer-in-Residence for the Public Library of Cincinnati and Hamilton County.

A proud member of the Tall Poppy Writers and Women’s Fiction Writers Association, she tweets @jessicastrawser, enjoys connecting at Facebook.com/jessicastrawserauthor, and speaks frequently at writing conferences and events that are kind enough to invite her.

Visit jessicastrawser.com to learn more, read some of her work and sign up for her email list to receive occasional updates and hellos.

Review: THE LAST TIME I LIED by Riley Sager

Review:  THE LAST TIME I LIED by Riley SagerThe Last Time I Lied by Riley Sager
Also by this author: Final Girls, Lock Every Door
four-half-stars
Published by Dutton Books on July 3, 2018
Genres: Thriller, Mystery, Fiction
Pages: 370
Source: Netgalley
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

 

 

 
 
 
 

MY REVIEW:

 
Last year I read and loved Riley Sager’s suspenseful thriller, Final Girls, so when I heard he had a new book coming out this summer, The Last Time I Lied, I couldn’t get my hands on it fast enough.  I got my hands on a copy and sat down one evening to read what I thought would be just a few chapters before bedtime, but instead, ended up being about half the book.  I remember the same exact thing happened to me when I read Final Girls.  There is just something so addicting about Sager’s writing – he draws you into his tale so thoroughly that you just can’t even come up for air until you’ve followed every plot twist and devoured every clue.

Like Final Girls and other thrillers, The Last Time I Lied is one of those books that I think is best to go into knowing as little as possible, but what I definitely want to share with you are some reasons why I think you’re going to want to read this book.

 

4 REASONS WHY YOU SHOULD ADD THE LAST TIME I LIED TO YOUR READING LIST:

 

  1. Complicated Protagonist. If you like your characters complex, Emma Davis is your girl. Emma, an up and coming artist in New York, attended Camp Nightingale when she was 13 years old. When the older three girls in Emma’s cabin decide to sneak out in the middle of the night, they leave Emma behind, telling her she’s too young to come with them.  That was the last time anyone saw the girls.

Fifteen years later, Emma is still haunted by their disappearance so much so that she includes the girls in each of her paintings, burying them beneath layers and layers of paints so that only she knows they’re there.  She realizes that she can’t continue like this forever, that it’s becoming an unhealthy obsession. When the opportunity to return to Camp Nightingale unexpectedly presents itself, Emma decides that she needs to go.  If she can figure out what happened to the girls, maybe after all of these years she can finally get some closure and move on…

What makes Emma so complex is that even though I felt tremendous sympathy for what she must have gone through as a 13 year old when those girls went missing and for what she has continued to go through as an adult, I still sometimes got the vibe that she wasn’t being completely honest, that she was keeping secrets.  I found myself skeptical of her version of events, which had me turning the pages even faster, because I wanted to know if I could trust her or not.  Not knowing if I could trust Emma or not really added to the overall suspense of the novel.

  1. Creepy Camp Setting. This is such an atmospheric read.  Sager does a phenomenal job of creating the eeriest girls’ summer camp ever.  Everything about the setting has a real horror movie vibe. The unsolved mystery of what happened to those girls casts a huge shadow over the camp and creates tension and suspense around every corner.  Even though it has been fifteen years, it still feels like something could happen to anyone at anytime.  The land the camp is built on is also the subject of legends and folklore that will make your hair stand on end and wonder if something supernatural is afoot on Camp Nightingale’s  lands.
  1. Dual Timeline.   The Last Time I Lied is presented to the readers in a dual timeline format.  Emma is the narrator in both timelines, the present day one and the one from fifteen years ago.  The modern day timeline follows Emma as she returns to the camp and plays amateur sleuth, trying to see if she can solve the mystery that alluded police detectives all those years ago.  The other timeline follows Emma while she was a young camper at Camp Nightingale. It follows her from her arrival at the camp up through the disappearance of her cabin mates and the ensuing investigation.  Sager does a brilliant job of weaving together these two intricate storylines, revealing key details in the modern timeline and then revisiting the past and showing why exactly the details we’ve just seen are relevant.  I found the story all the more compelling watching the details unfold in this manner.
  1. Web of Secrets and Lies. If you enjoy a mystery that is filled with plot twists that keep you guessing, The Last Time I Lied should be a book after your own heart.  There are so many secrets and lies swirling around throughout the novel that it gets very difficult to know who can be trusted, if anyone, and the lies just further the suspense and add intricate layers to the plot twists.  A popular game the girls played at the camp is Two Truths and a Lie, and the more I read, the more appropriate the game seemed because this is a book filled with people who cannot be trusted.

I especially enjoyed the detective story aspect of the novel as we follow Emma playing detective, trying to uncover some of those secrets and lies and piece together what happened to the girls fifteen years ago.  Emma even requests to stay in the same cabin she stayed in all those years ago in hopes of uncovering some clues that were overlooked that could possibly lead her to the truth of what happened to her friends.   In many ways, the story reads like a modern day Nancy Drew novel.

 

MY FINAL THOUGHTS ON THE LAST TIME I LIED:

 

As much as I enjoyed Riley Sager’s Final Girls, I actually enjoyed The Last Time I Lied so much more.  Maybe it’s the timing – reading a book about a creepy summer camp in the middle of the summer – or maybe it’s just Sager’s superior storytelling abilities, but whatever the reason, this is one of my favorite reads of the year so far.  It kept me on the edge of my seat from start to finish, which is all that I could possibly want from a thriller, so I definitely look forward to reading more from Riley Sager.

 

 

GOODREADS SYNOPSIS

Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she–or anyone–saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.

Now a rising star in the New York art scene, Emma turns her past into paintings–massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends.

Yet it’s immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp’s twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present.

And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price.

four-half-stars

About Riley Sager

Riley Sager is the award-winning pseudonym of a former journalist, editor and graphic designer who previously published mysteries under his real name.

Now a full-time author, Riley’s first thriller, FINAL GIRLS, became a national and international bestseller and was called “the first great thriller of 2017” by Stephen King. Translation rights have been sold in more than two dozen countries and a film version is being developed by Universal Pictures.

Riley’s second book, THE LAST TIME I LIED, was published in 2018 and became an instant New York Times bestseller. It was inspired by the classic novel and film “Picnic at Hanging Rock” and one horrible week Riley spent at summer camp when he was ten. A television adaptation is being developed by Amazon Studios.

His next book, LOCK EVERY DOOR, inspired by a lifelong fascination with the grand apartment buildings on Manhattan’s Upper West Side, will be published in July.

A native of Pennsylvania, Riley now lives in Princeton, New Jersey. When he’s not writing, he enjoys reading, cooking and going to the movies as much as possible. His favorite film is “Rear Window.” Or maybe “Jaws.” But probably, if he’s being honest, “Mary Poppins.”

Review: LETTING GO OF GRAVITY by Meg Leder

Review:  LETTING GO OF GRAVITY by Meg LederLetting Go of Gravity by Meg Leder
four-stars
Published by Simon Pulse on July 17, 2018
Genres: Young Adult Fiction, Contemporary Fiction
Pages: 432
Source: Netgalley
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

MY REVIEW:

Meg Leder’s Letting Go of Gravity is a beautiful, emotionally engaging story about a young woman named Parker and her twin brother, Charlie.  When the novel opens, Parker, as Class Valedictorian, is giving a speech at her graduation.  Parker has been wildly successful in her academic life – making straight As, achieving perfect scores on her SATs, getting accepted to Harvard where she plans to study to become a doctor, and landing herself a spot at a very competitive internship at the local children’s hospital.  Charlie, on the other hand, even though he’s Parker’s twin, is not graduating.  Instead, he is being held back because he missed too much time from school.  Why?  Because Charlie has been battling cancer.  He was diagnosed with it for the first time when he was in fourth grade, went into remission, only to have it return the summer before his senior year.

Parker is obsessed with making sure her twin is safe.  She watches over him like a hawk, reporting back to her parents anytime she fears Charlie might be doing something that will cause another relapse.  While Charlie understands where his sister is coming from, ultimately he can’t stand being around her because she makes him feel like he’s a caged animal with no freedom to do anything he wants to do.  Needless to say, their relationship is quite strained and Parker begins to wonder if things will ever be normal between them again…

 

I really loved Parker.  I thought she was just such a sweetheart and even though it drives Charlie crazy, I loved how devoted Parker is to him.  I have a sister, and she’s not even a twin, but I feel that level of fierce protectiveness for her that Parker has for Charlie.  Parker has devoted most of her life to watching over Charlie, so much so that he’s actually the main reason she’s planning to study pre-med at Harvard.  She wants to be a pediatric oncologist, specifically because of what has happened to Charlie.  Her parents are giddy about her decision, with her dad already starting to call her Dr. McCullough.  Parker, however, has been experiencing anxiety every time she thinks about going to Harvard in the fall, and when she arrives at the hospital to begin her internship, she has a full on panic attack and has to leave.  At this moment, Parker begins to seriously question if this is what she really wants.

The story is told from Parker’s perspective and this was fantastic too because the author does an incredible job of portraying all of the conflicting emotions that were at war in Parker’s head.  While Charlie may feel like a caged animal because everyone watches him like a hawk, Parker starts to feel equally caged in by her fears – fear of failure, fear of disappointing her loved ones, and of course, fear of losing her loved ones.  Being inside of Parker’s head was kind of a messy place to be because she has so much going on in there, but everything she’s thinking, feeling, and fearing just felt so realistic.

The relationships in Letting Go of Gravity were beautifully written as well. The very complex and strained sibling relationship between Parker and Charlie was my favorite, but I also loved the friendships.  Parker has three incredible friends, Finn, Em and Ruby, and they are as devoted to Parker as Parker is to Charlie.  Their support is unwavering but they are also all there to give Parker a kick in the pants when she really needs it.  There are also a couple of potential romances that come out of these friendships, but the author does a wonderful job of weaving those in gently so that they don’t get in the way of what I would say is more of a coming of age story than anything else as these friends give Parker the love and support she needs to figure out who she is and what she really wants out of life.

Lastly, this story is just packed with moving, relatable, and relevant themes, which is something that always makes a contemporary novel appealing to me.  This novel tackles how cancer and other serious illnesses impact, not just the patient, but also the entire family – the fear that comes when faced with the possibility of losing someone you love, the sacrifices you’re willing to make to do everything in your power to keep that from happening, and so on.  Letting Go of Gravity also explores anxiety and the pressure of putting too much on yourself, especially if you’re doing it for the wrong reasons, but really, even if you think you’re doing it for the right reasons.  As the title implies, sometimes you just have to let go of what is weighing you down.

 

The only real issue I had with Letting Go of Gravity was that I found some of it to be a little too predictable.  I don’t want to say too much because I don’t want to spoil anything for other readers, but I guessed almost immediately how things were going to go for Parker.  I can’t say that it really lessened my enjoyment of the overall story, but I always prefer it when plot twists actually surprise me.

 

Letting Go of Gravity is a beautiful and moving book.  I wouldn’t hesitate to recommend it to fans of John Green, Jennifer Niven, and Brigid Kemmerer.  If you like emotional books that feature sibling relationships and great friendships, and that might make you shed a tear or two, give Letting Go of Gravity a try.

 

GOODREADS SYNOPSIS:

Twins Parker and Charlie are polar opposites.  Where Charlie is fearless, Parker is careful.  Charlie is confident while Parker aims to please.  Charlie is outgoing and outspoken; Parker is introverted and reserved.  And of course, there’s the one other major difference: Charlie got leukemia. Parker didn’t.

But now that Charlie is officially in remission, life couldn’t be going better for Parker. She’s landed a prestigious summer internship at the hospital and is headed to Harvard in the fall to study pediatric oncology—which is why the anxiety she’s felt since her Harvard acceptance is so unsettling. And it doesn’t help that her relationship with Charlie has been on the rocks since his diagnosis.

Enter Finn, a boy who’s been leaving strange graffiti messages all over town. Parker can’t stop thinking about those messages, or about Finn, who makes her feel free for the first time: free to doubt, free to make mistakes, and free to confront the truth that Parker has been hiding from for a long time.

That she keeps trying to save Charlie, when the person who really needs saving is herself.

four-stars