Book Review – All the Missing Girls

Book Review – All the Missing GirlsAll the Missing Girls by Megan Miranda
three-half-stars
Published by Simon & Schuster on June 28th 2016
Genres: Mystery, Contemporary Fiction
Pages: 384
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

Goodreads Synopsis:

Like the spellbinding psychological suspense in The Girl on the Train and Luckiest Girl Alive, Megan Miranda’s novel is a nail-biting, breathtaking story about the disappearances of two young women—a decade apart—told in reverse.

It’s been ten years since Nicolette Farrell left her rural hometown after her best friend, Corinne, disappeared from Cooley Ridge without a trace. Back again to tie up loose ends and care for her ailing father, Nic is soon plunged into a shocking drama that reawakens Corinne’s case and breaks open old wounds long since stitched.

The decade-old investigation focused on Nic, her brother Daniel, boyfriend Tyler, and Corinne’s boyfriend Jackson. Since then, only Nic has left Cooley Ridge. Daniel and his wife, Laura, are expecting a baby; Jackson works at the town bar; and Tyler is dating Annaleise Carter, Nic’s younger neighbor and the group’s alibi the night Corinne disappeared. Then, within days of Nic’s return, Annaleise goes missing.

Told backwards—Day 15 to Day 1—from the time Annaleise goes missing, Nic works to unravel the truth about her younger neighbor’s disappearance, revealing shocking truths about her friends, her family, and what really happened to Corinne that night ten years ago.

Like nothing you’ve ever read before, All the Missing Girls delivers in all the right ways. With twists and turns that lead down dark alleys and dead ends, you may think you’re walking a familiar path, but then Megan Miranda turns it all upside down and inside out and leaves us wondering just how far we would be willing to go to protect those we love.

My Thoughts on All the Missing Girls:

What first attracted me to Megan Miranda’s All the Missing Girls was hearing that it’s a psychological where the story is told mostly in reverse. I just couldn’t imagine how that was going to work – if it was going to work – but I had to further investigate. I’m therefore very grateful to Netgalley and Simon & Schuster for giving me the opportunity to read and review the book. Since it’s a mystery and I don’t want to give any details that would spoil the reveal at the end, my review will be somewhat general.

I very much enjoyed the story as a whole, especially the fact that it’s packed full of twists and turns that truly kept me guessing all the way to the end. Every time I thought I had it figured out, another clue would surface and I would realize how completely wrong I was. Major props to Megan Miranda for creating such a suspenseful and unpredictable storyline.
The unreliable narration added an extra level of complexity to the mystery as well because – really, how can you fully trust the story you’re being fed if the narrator says she is trying to find out what happened to the missing girls, but who all the while is also actively hiding and/or destroying potential evidence that could really lead to the truth. Was her goal really to find the truth or was it to bury the truth? Even once I got to the end of the book, I still wasn’t 100% convinced that I had all of the facts about what had happened and who was really behind it.

When it comes to the reverse story telling, I have somewhat mixed feelings, which is ironic since that’s the element that initially drew me to All the Missing Girls. Starting 15 days out and backtracking toward the moment of Annaliese’s disappearance is definitely an inventive way to present the facts of the missing persons case and I liked how with each day that we passed back through, some new information would be revealed that would suddenly add new meaning to the chapter that preceded it. It took some getting used to and was a little confusing at first, which frustrated me because it slowed down my reading, but once I acclimated to it, I enjoyed the unique perspective.

The one downside for me was the sparse character development. Some of the characters, even Nic to an extent, didn’t feel fleshed out for me. Aside from the fact that they all obviously had ties to the missing girls, they all grew up in this same small town, and none of them were especially likable, I never felt like I had much of a connection to them. In that sense, the book reminded me a lot of a procedural crime drama, like a CSI or Law and Order, where it’s all about following the evidence and solving the mystery and not so much about the actual characters. Maybe that’s the point, but I would have loved to know a little more about each of the characters involved. That would have made it a 4-star read for me for sure.

Would I Recommend All the Missing Girls?

Oh yes, definitely! Even with the couple of issues I had with it, I still thought it was a very entertaining read. I’d strongly recommend this to anyone who enjoys suspenseful reads with lots of plot twists like Gone Girl or The Girl on the Train. I’m sure those comparisons have probably been overdone already but they really are the best ones I can think of that offer a similar style of mystery.

All the Missing Girls is due out on June 28, 2016.

three-half-stars

About Megan Miranda

Megan Miranda is the author of the young adult novels FRACTURE, HYSTERIA, VENGEANCE, and SOULPRINT (all from Bloomsbury). Her next young adult novel, THE SAFEST LIES, will be published by Crown BFYR/Random House in May, 2016. Her debut adult suspense novel, ALL THE MISSING GIRLS, will be published by Simon & Schuster in June, 2016. Megan has a degree in Biology from MIT and currently lives near Charlotte, North Carolina, with her husband and two children.

Book Review: Fangirl by Rainbow Rowell

Book Review:  Fangirl by Rainbow RowellFangirl by Rainbow Rowell
four-stars
Published by Pan Macmillan on January 30th 2014
Genres: Contemporary Fiction, Young Adult Fiction
Pages: 461
Source: Library
Amazon
Goodreads

Synopsis from Goodreads: Cath and Wren are identical twins, and until recently they did absolutely everything together. Now they’re off to university and Wren’s decided she doesn’t want to be one half of a pair any more – she wants to dance, meet boys, go to parties and let loose. It’s not so easy for Cath. She’s horribly shy and has always buried herself in the fan fiction she writes, where she always knows exactly what to say and can write a romance far more intense than anything she’s experienced in real life.

Now Cath has to decide whether she’s ready to open her heart to new people and new experiences, and she’s realizing that there’s more to learn about love than she ever thought possible …A tale of fanfiction, family, and first love.



My Review:

I have to say I LOVED Fangirl. I think it’s one of those books that is going to resonate with a lot of readers because of how ‘real’ the story and its characters are. Going off to college is one of those major milestones in life that most of us can relate to and so college makes the perfect backdrop for a coming of age story, which is basically what Fangirl is.

One of the things I enjoyed most about Fangirl is how perfectly Rainbow Rowell captures the entire college freshman year experience. Even though it has been more years than I care to think about since I graduated from college, she transported me right back in time to my first day as a freshman – to the awkwardness of meeting my roommate for the first time as well as the terrifying knowledge that I was completely on my own as soon as my family drove away from the campus.

In addition to her ability to transport me back to my own college days, Rowell also creates such relatable characters that it’s just so easy to see yourself and maybe even your friends in them. I don’t know that I have ever identified with a fictional character as much as I identified with Cather Avery (or Cath as she calls herself). I felt an immediate kinship to Cath as soon as I realized that, like me, she is both a writer and an introvert. Cath’s awkwardness was a bit more extreme than mine, but I could still see myself in her utter cluelessness when it comes to making friends and interacting with boys that she likes, as well as in her reluctance to engage in any and all social activities. Aside from the actual fanfiction thing, which, to my knowledge, didn’t exist when I was in college, the whole time I was reading I kept thinking that this could have easily been a story about me! From the moment I felt that connection, I just had to know how things were going to turn out for her. Pulled out of her comfort zone, would she be able to discover her own true identity? Not fanfiction-famous writer ‘Magicath’ and not one half of the Cather-Wren twins, but just Cath?

Cath is not the only awesomely relatable character that Rowell creates. There’s also Reagan, who is Cath’s roommate, and Levi, who went to high school with Reagan and so is always hanging around their room. I think EVERY introvert needs a friend like Reagan. For the most part, Reagan just lets Cath be Cath, but occasionally she does step in and stage a much-needed intervention to make Cath look up from her fanfiction and interact with the world outside. Cath and Reagan actually first bond when Reagan realizes that Cath has been living off nothing but protein bars for days and days. When she asks Cath why and Caths’s response is that she doesn’t know where the cafeteria is, Reagan just shakes her head and drags Cath down to the cafeteria where they eat together and eventually become friends.

And then there’s Levi. He’s blonde, cute, lovable, loyal, goes out of his way to be friendly with anyone and everyone, and will do anything to please those he loves. Ha, when you put it that way, he kind of sounds like a golden retriever! I love Levi not just because he reminds me of a golden retriever, but because of the way he accepts Cath’s fanfiction addiction. He sense that it gives her comfort in a world where she is otherwise completely ill at ease and so, being the nice guy that he is, he doesn’t belittle her and make her feel deviant for it. In fact, he even encourages her and has her read her chapters to him. Just like every introvert needs a Reagan, I think every introvert could use a Levi as well.

Although the overall tone of the novel is fairly light and often humorous, Rowell also weaves in just enough drama to make Fangirl a page-turner. There are strained family relationships as Wren pulls away from Cath, and again when the mother who had abandoned them when they were small children randomly tries to re-enter their lives. There is also concern for Cath and Wren’s father who suffers from a mental illness. Although he is usually fine and able to control his symptoms, it is still a concern for the girls since they have moved out and left him on his own. Again, although these elements are designed to add drama to the story, family relationships and their complications are something that we can all relate to. It’s almost a universal truth – if you have family, at some point there will be drama that you have to deal with.
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four-stars

About Rainbow Rowell

Sometimes she writes about adults (Attachments and Landline). Sometimes she writes about teenagers (Eleanor & Park, Fangirl and Carry On.). But she always writes about people who talk a lot. And people who feel like they’re screwing up. And people who fall in love.

When she’s not writing, Rainbow is reading comic books, planning Disney World trips and arguing about things that don’t really matter in the big scheme of things.

She lives in Nebraska with her husband and two sons.

Book Review: All the Bright Places

Book Review:  All the Bright PlacesAll the Bright Places by Jennifer Niven
Also by this author: Holding Up the Universe
five-stars
Published by Knopf on January 6th 2015
Genres: Contemporary Fiction, Young Adult Fiction
Pages: 400
Goodreads

Synopsis & Review:

With its realistic and honest portrayal of someone living with a mental illness, All the Bright Places by Jennifer Niven is one of the most moving and thought-provoking novels I’ve ever read. I finished reading it a couple of nights ago and have been trying to gather my many thoughts about it ever since in hopes of doing justice to not only how beautifully written this story is, but also to how important it is because of the major issues that it highlights such as mental illness and the stigma that surrounds it, as well as teen suicide and bullying.

At the center of All the Bright Places are Theodore Finch and Violet Markey, two high school seniors who on the surface appear to be complete opposites. Theodore (or Finch as he is called by pretty much everyone) is bit of an outcast, often referred to as a freak or weirdo by his classmates. He spends most of his free time either writing music or fantasizing about death, in particular all of the possible ways he can end his own life. At the opposite end of the social spectrum is Violet, who is attractive, popular, and a member of the cheerleading team.

This unlikely pair becomes connected in the novel’s opening scene which takes place on the ledge of the school’s bell tower. Plagued by an unnamed condition which he says makes him “sleep” for weeks at a time, Finch has climbed up there to contemplate what it would be like to commit suicide by jumping off the tower. He decides this would probably not be his preferred method, but as he turns to leave, he unexpectedly encounters Violet, who has apparently been having suicidal thoughts of her own. We then learn that Violet has recently suffered a tragedy that she can’t seem to get beyond – the death of her older sister and best friend Eleanor. Because she feels like she is just drowning in her grief and unable to move forward, Violet is having suicidal thoughts.

Finch, his own thoughts of suicide momentarily forgotten, does everything he can to talk Violet down to safety. He then dedicates himself to helping Violet overcome her thoughts of suicide. Although she is initially reluctant to even associate with Finch because of his reputation as a ‘freak’, Violet finally gives in and agrees to work with him on a school project which requires them to journey around their home state taking in its “natural wonders”.

The bulk of the novel focuses on the relationship between Violet and Finch as they work on this project and really get to know one another. Their journey together is an emotional roller coaster – it will make you laugh and it will bring you to tears, but what they find along the way is that they can draw strength from each other as they each battle their demons. Finch really pushes Violet to start working through her grief and seeing that her own life is worth living, and Violet helps Finch in that he can let his guard down around her and just be himself. As he focuses his attention on Violet, he becomes more and more determined not to let the ‘sleep’ take him again.

What I loved about All the Bright Places:

I think what makes All the Bright Places such a powerful read is that by having Violet and Finch tell their story, Niven takes us directly into the minds of these two troubled teens. We experience firsthand exactly what Finch and Violet are feeling as they think about killing themselves and what goes through their minds as they struggle just to exist from day to day. We’re seeing what Finch and Violet have been trying so hard to hide from their parents, friends, teachers, and counselors. It’s raw and unfiltered emotion and it will definitely make you think twice when you look at someone and assume that you know what they’re going through when you really have no idea what’s going on in their head or how much they might be struggling even though they’re trying to put on a brave face.

I also loved that Niven makes Finch the voice for those who are afraid to seek help for mental illness because they fear being labeled as “mentally ill”. He’s such a likeable and relatable character that we as readers desperately want him to get the help he needs, but at the same time, he makes us see why it’s so hard to do so. Finch embodies the fear that if diagnosed, in the eyes of others, he will become that diagnosis and nothing more:

“Moody Finch. Angry Finch. Unpredictable Finch. Crazy Finch. But I’m not a compilation of symptoms. Not a casualty of shitty parents and an even shittier chemical makeup. Not a problem. Not a diagnosis. Not an illness. Not something to be rescued. I’m a person.”

Finch even takes this a step further in the sacrifice that he makes for Violet, even when he barely knows her. When he talks Violet down off that ledge, he lets everyone believe she is the one who saved him rather than the other way around. He knows firsthand how crippling labels can be and he wants to protect her from that. So he takes on the label that would have otherwise have been given to her. He’s the suicidal one, not her. It’s a touching gesture.

‘All the Bright Places’ is such an important book because it shines light on the very problematic issue that a person would contemplate suicide rather than seeking medical help for mental illness. That should not be the case at all and it’s something we as a society, starting with our young people, need to address.

This is also a book that I wish had been around when I was teaching high school because of the way it spotlights the potential consequences of bullying. Because the characters in ‘All the Bright Places’ are so easy to relate to (Didn’t we all go to school with a Roamer, the guy who just lives to build himself up by putting others down?), I think this book could start a much needed dialogue in schools to educate students about the power of words. In this day and age when teen suicide rates are so high and school shootings are so prevalent, you just never know if your words are going to be the ones to push someone over the edge.
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five-stars

About Jennifer Niven

New York Times bestselling author Jennifer Niven has always wanted to be a Charlie’s Angel, but her true passion is writing. Her most recent book, All the Bright Places, is her first novel for young adult readers and tells the story of a girl who learns to live from a boy who intends to die. All the Bright Places was the GoodReads Choice Award for Best Young Adult Fiction of 2015, and named a Best Book of the Year by Time Magazine, NPR, the Guardian, Publisher’s Weekly, YALSA, Barnes & Noble, BuzzFeed, the New York Public Library, and others. It was also the #1 Kids’ Indie Next Book for Winter ’14-’15 and SCIBA’s Young Adult Book of the Year, as well as being nominated for the Carnegie Medal and longlisted for the Guardian Children’s Fiction Prize. As of today, the book has spent over thirty weeks as a New York Times bestseller, and foreign rights have sold to forty territories. The movie rights have been optioned with Elle Fanning attached to star and Jennifer writing the script. As a companion to the book, Jennifer has created Germ, a web magazine for and run by girls (and boys) — high school and beyond — that celebrates beginnings, futures, and all the amazing and agonizing moments in between.

With the publication of her first book, The Ice Master, Jennifer became a Barnes & Noble Discover Great New Writer. A nonfiction account of a deadly Arctic expedition, The Ice Master was released in November 2000 and named one of the top ten nonfiction books of the year by Entertainment Weekly, and translated into multiple languages, including German, French, Italian, Portuguese, Chinese, Danish, and Icelandic. Jennifer and The Ice Master appeared in Newsweek, Entertainment Weekly, Talk, Glamour, The New Yorker, Outside, The New York Times Book Review, The London Daily Mail, The London Times, and Writer’s Digest, among others. Dateline BBC, the Discovery Channel, and the History Channel featured The Ice Master an hour-long documentaries, and the book was the subject of numerous German, Canadian, and British television documentaries. The Ice Master has been nominated for awards by the American Library Association and Book Sense, and received Italy’s esteemed Gambrinus Giuseppe Mazzotti Prize for 2002.

Jennifer’s second book, Ada Blackjack — an inspiring true story of the woman the press called “the female Robinson Crusoe” — has been translated into Chinese, French, and Estonian, was a Book Sense Top Ten Pick, and was named by The Wall Street Journal as one of the Top Five Arctic books.

Her memoir, The Aqua-Net Diaries: Big Hair, Big Dreams, Small Town, was published in February 2010 by Gallery Books, a division of Simon & Schuster, and was optioned by Warner Bros. as a television series.

Her first novel, Velva Jean Learns to Drive (based on her Emmy Award-winning film of the same name), was released July 2009 by Penguin/Plume. It was an Indie Pick for the August 2009 Indie Next List and was also a Costco Book of the Month. The second book in the Velva Jean series, Velva Jean Learns to Fly, was released by Penguin/Plume in August 2011, and the third book in the series, Becoming Clementine, was published in September 2012. The fourth Velva Jean novel, American Blonde, is available now.

With her mother, author Penelope Niven, Jennifer has conducted numerous seminars in writing and addressed audiences around the world. She lives in Los Angeles.

Source: www.jenniferniven.com

Cynthia D’Aprix’s debut novel ‘The Nest’ is an engaging tale about the importance of family

Cynthia D’Aprix’s debut novel ‘The Nest’ is an engaging tale about the importance of familyThe Nest by Cynthia D'Aprix Sweeney
four-stars
Published by Ecco on March 22nd 2016
Genres: Contemporary Fiction
Pages: 368
Source: Purchased
Amazon
Goodreads

Synopsis from Goodreads: A warm, funny and acutely perceptive debut novel about four adult siblings and the fate of the shared inheritance that has shaped their choices and their lives.

Every family has its problems. But even among the most troubled, the Plumb family stands out as spectacularly dysfunctional. Years of simmering tensions finally reach a breaking point on an unseasonably cold afternoon in New York City as Melody, Beatrice, and Jack Plumb gather to confront their charismatic and reckless older brother, Leo, freshly released from rehab. Months earlier, an inebriated Leo got behind the wheel of a car with a nineteen-year-old waitress as his passenger. The ensuing accident has endangered the Plumbs joint trust fund, “The Nest,” which they are months away from finally receiving. Meant by their deceased father to be a modest mid-life supplement, the Plumb siblings have watched The Nest’s value soar along with the stock market and have been counting on the money to solve a number of self-inflicted problems.

Melody, a wife and mother in an upscale suburb, has an unwieldy mortgage and looming college tuition for her twin teenage daughters. Jack, an antiques dealer, has secretly borrowed against the beach cottage he shares with his husband, Walker, to keep his store open. And Bea, a once-promising short-story writer, just can’t seem to finish her overdue novel. Can Leo rescue his siblings and, by extension, the people they love? Or will everyone need to reimagine the future they’ve envisioned? Brought together as never before, Leo, Melody, Jack, and Beatrice must grapple with old resentments, present-day truths, and the significant emotional and financial toll of the accident, as well as finally acknowledge the choices they have made in their own lives.
This is a story about the power of family, the possibilities of friendship, the ways we depend upon one another and the ways we let one another down. In this tender, entertaining, and deftly written debut, Sweeney brings a remarkable cast of characters to life to illuminate what money does to relationships, what happens to our ambitions over the course of time, and the fraught yet unbreakable ties we share with those we love.

 

My Review: 

Cynthia D’Aprix Sweeney’s debut novel The Nest is, by far, one of the most talked about books of 2016 so far.  In fact, I’m pretty sure it has appeared on nearly every ‘Must-Read’ list I’ve read in recent months.  I was eager to see what all the hype was about so I purchased a copy and dove in.

Sweeney hooked me instantly in the prologue with her dramatic and suspenseful description of a tragic accident that sets the rest of the events of the novel into motion.  While attending a family party, Leo Plumb, inebriated and high on cocaine, persuades a young lady named Matilda, who is working at the event, to take a ride in his Porsche. The ride, and the prologue, end abruptly when Leo loses control and crashes his car during an ill-timed sexual encounter.

The central storyline of The Nest deals with the fallout from this accident. Although both Leo and Matilda survive the crash, Matilda is left with a permanent disability that, of course, Leo is responsible for because of his reckless actions.  And yet, ironically, what has the Plumb family, particularly Leo’s three siblings, Melody, Jack, and Beatrice, distraught when the novel opens, is not what has happened to Matilda because of Leo, or even how could have possibly wrecked his own life.  No, what has them all  upset is that their mother has dipped into what they refer to as ‘The Nest’ to pay off Matilda and otherwise clean up Leo’s mess.

So why all the fuss about the so-called ‘Nest’?  The Nest is the Plumb siblings’ trust fund.  It was set up for them by their father years ago and was meant to be divided equally between the four of them when the youngest sibling turned 40.  Their father had intended that the Nest would simply be a modest sum to pad whatever fortunes his children should have already amassed for themselves by the time they had all reached middle age.  Because of some shrewd investing by the family attorney, however, the Nest had grown considerably in size and had promised a huge payout for each of the Plumbs — at least until their mother decided to raid it to help Leo get out of his scrape.

What we learn immediately about the Plumb siblings is that they have each been financially irresponsible over the years and so have grown to depend on the disbursement of ‘The Nest’ to bail them out of their financial difficulties.  Melody, the youngest Plumb sibling, is a homemaker who is stubbornly clinging to an upscale lifestyle that her family really can’t afford to maintain anymore.  She can barely manage to pay her mortgage but yet is still determined to send her twin high school age daughters to expensive private colleges.   Older brother Jack, an antiques dealer, is not faring any better.  He has gotten in over his head and is keeping his store afloat with a line of credit he has taken out against the beach house that he and his husband Walker own.  Walker, however, is unaware of the line of credit and so Jack has been living a life of secrets and lies in hopes that his share of the Nest would allow him to pay off the credit line so that Walker would never know what Jack had done behind his back.   Beatrice (Bea), the elder Plumb sister, is a talented writer whose career started out with a lot of promise but has since completely stalled out.  She is supposed to be writing a novel and has been living primarily off of the advance for her book, but after nearly a decade with no signs of a forthcoming novel, Bea’s literary agent is threatening to drop her.  When their mother and Leo burst their bubble that the Nest is going to save them, the Plumb siblings all panic and begin scrambling around trying to figure out how they’re going to hold their lives together if they can’t force Leo to pay them back their share of the Nest.  The irony here is that Leo apparently has been secretly squirreling away money for years in an offshore account and probably has enough to have pay off Matilda by himself in the first place, but most definitely has enough to repay the funds that were taken from the ‘Nest.’  Leo, however, doesn’t want to lose his own little nest egg, so he evades his family when they ask him how he’s going to pay them back and begins scheming to raise money to repay his debt.  Sweeney uses the Plumbs and their lost ‘Nest’ to very effectively satirize the elite and the money/status-obsessed.  How will the Plumbs ever survive if they have to live like the rest of us lowly non-trust fund babies?

Strengths of The Nest:

Character driven.  While the story in itself is a great one, what really drives The Nest are the characters and the ultra-realistic way in which Sweeney draws them.  They are the textbook definition of a dysfunctional family and I’ll admit that initially I had some trouble relating to them because of their obsession with how not getting the Nest has ruined their lives.  I wanted to yell at Melody for being so horrified that her children may have to attend public colleges instead of private ones and at Jack because OMG! He might have to sell his beach house without the Nest.  The more I read, however, the more I was able to get past the entitled, elitist exteriors and see how flawed and utterly human Sweeney has painted them.  I even started to see myself and my own family in the Plumbs and thus could more easily identify with their struggles and with their frustrations with each other and especially with Leo.  Nothing is more frustrating than having a loved one who is his or her own worst enemy.

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four-stars

‘Eligible’ by Curtis Sittenfeld gives ‘Pride and Prejudice’ a Fresh and Fun Makeover

‘Eligible’ by Curtis Sittenfeld gives ‘Pride and Prejudice’ a Fresh and Fun MakeoverEligible: A Modern Retelling of Pride and Prejudice by Curtis Sittenfeld
Also by this author: You Think It, I'll Say It
four-half-stars
Published by Random House on April 19th 2016
Genres: Contemporary Fiction
Pages: 512
Amazon
Goodreads

FTC Disclosure: I received a complimentary copy of this book from the publisher via Netgalley. All opinions are my own.

Synopsis from Goodreads: From the “wickedly entertaining” (USA Today) Curtis Sittenfeld, New York Times bestselling author of Prep and American Wife, comes a modern retelling of Jane Austen’s Pride and Prejudice. A bold literary experiment, Eligible is a brilliant, playful, and delicious saga for the twenty-first century.

This version of the Bennet family—and Mr. Darcy—is one that you have and haven’t met before: Liz is a magazine writer in her late thirties who, like her yoga instructor older sister, Jane, lives in New York City. When their father has a health scare, they return to their childhood home in Cincinnati to help—and discover that the sprawling Tudor they grew up in is crumbling and the family is in disarray.

Youngest sisters Kitty and Lydia are too busy with their CrossFit workouts and Paleo diets to get jobs. Mary, the middle sister, is earning her third online master’s degree and barely leaves her room, except for those mysterious Tuesday-night outings she won’t discuss. And Mrs. Bennet has one thing on her mind: how to marry off her daughters, especially as Jane’s fortieth birthday fast approaches.

Enter Chip Bingley, a handsome new-in-town doctor who recently appeared on the juggernaut reality TV dating show Eligible. At a Fourth of July barbecue, Chip takes an immediate interest in Jane, but Chip’s friend neurosurgeon Fitzwilliam Darcy reveals himself to Liz to be much less charming. . . .

And yet, first impressions can be deceiving. Wonderfully tender and hilariously funny, Eligible both honors and updates Austen’s beloved tale. Tackling gender, class, courtship, and family, Sittenfeld reaffirms herself as one of the most dazzling authors writing today.

My review: 

Prior to requesting Curtis Sittenfeld’s Eligible from Netgalley, I was completely unfamiliar with the Austen Project, in which six prominent modern-day authors have been tasked with giving contemporary makeovers to Jane Austen’s classic novels.  Because I’ve been a Jane Austen fan since I first read Pride and Prejudice in high school, I was immediately intrigued by the project and eager to see what kind of modern spin these authors would put on some of my beloved favorites.

I’m happy to report that Eligible, Sittenfeld’s modern take on Pride and Prejudice, did not disappoint.  For those who are familiar with the original classic, Eligible preserves its main characters, primary storylines, satirical elements, as well as its overriding themes:   Mrs. Bennet is still obsessed with finding suitable husbands for her five daughters to marry, and Fitzwilliam Darcy and Elizabeth Bennett again steal the spotlight as they verbally spar their way from hate at first sight to eventual true love.

In spite of the many similarities to Pride and Prejudice, however, Sittenfeld skillfully infuses Eligible with enough modern elements and unexpected plot twists to keep her story fresh and hilariously entertaining rather than simply a rehash of the original.

Highlights for me:

There were so many things I loved about this book that it’s impossible to name them all. The contemporary spin on the Liz/Darcy storyline is a given, but here are some of my other favorites:

The Americanized setting.  Swapping out the English countryside for the suburban landscape of Cincinnati, Ohio gave the original storyline an instant facelift, as did replacing fancy dress balls and strolls around formal English gardens with barbecues and jogs around the block.  The change in scenery was instantly relatable, and of course, there was the added amusement of learning that our oh-so-dignified Mr. Darcy was a big fan of Cincinnati chili.

The aging  of the Bennet sisters.  Since it would have been somewhat old-fashioned to be worried about twentysomethings and the danger of spinsterhood, Sittenfeld deftly updates both the ages of the Bennet sisters as well as the driving forces behind Mama Bennet’s desire to find them all men.  Eldest daughter Jane is now 40, with Liz not too far behind her at 38, so the relevant issue at hand for them, Jane in particular, is fertility.  If they want to have children, they had better get busy.

For the younger three Bennet sisters, the issue is more just about having them grow up and start fending for themselves.  Here, Sittenfeld has woven into her narrative a powerful, albeit humorous, criticism of millennials, and particularly of what she refers to as the ‘boomerang effect’ when the grown children return home to live with their parents.  Even though all five Bennet sisters are grown women, only two of them, Jane and Liz, have moved out of their parents’ home and secured careers for themselves.  Kitty, Lydia, and Mary have instead chosen to remain living at home and behaving like children.  They do absolutely nothing to help out around the house either through monetary contributions or by helping to care for their father when his health declines.  Instead of needing husbands, what these three girls need is a swift kick in the pants to get them out of their parents’ home and living independently.

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four-half-stars

About Curtis Sittenfeld

CURTIS SITTENFELD is the bestselling author of five novels: Prep, The Man of My Dreams, American Wife, Sisterland, and Eligible. Her first story collection, You Think It, I’ll Say It, will be published in 2018. Her books have been selected by The New York Times, Time, Entertainment Weekly, and People for their “Ten Best Books of the Year” lists, optioned for television and film, and translated into thirty languages. Her short stories have appeared in The New Yorker, The Washington Post, and Esquire, and her non-fiction has appeared in The New York Times, Time, Vanity Fair, The Atlantic, Slate, and on “This American Life.” A graduate of Stanford University and the Iowa Writers’ Workshop, Curtis has interviewed Michelle Obama for Time; appeared as a guest on NPR’s “Fresh Air,” CBS’s “Early Show,” and PBS’s Newshour; and twice been a strangely easy “Jeopardy!” answer.

5 Stars for Emma Donoghue’s ‘Room’

5 Stars for Emma Donoghue’s ‘Room’Room by Emma Donoghue
Also by this author: The Wonder, Akin
five-stars
Published by HarperCollins Publishers on September 15th 2015
Genres: Contemporary Fiction
Pages: 432
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Synopsis from Goodreads: Now a Major Motion Picture starring Brie Larson and William H. Macy#1 International BestsellerWinner of the Rogers Writers’ Trust Fiction PrizeWinner of the Commonwealth Writers’ Prize for Best Book (Canada and Caribbean region)Winner of the Hughes & Hughes Irish Novel of the Year.

To five-year-old-Jack, Room is the world. It’s where he was born. It’s where he and Ma eat and sleep and play and learn. There are endless wonders that let loose Jack’s imagination-the snake under Bed that he constructs out of eggshells; the coziness of Wardrobe beneath Ma’s clothes, where she tucks him in safely at night, in case Old Nick comes.
Room is home to Jack, but to Ma, it’s the prison where she’s been held since she was nineteen-for seven long years. Through her fierce love for her son, she has created a life for him in that eleven-by-eleven-foot space. But Jack’s curiosity is building alongside her own desperation, and she knows that Room cannot contain either indefinitely . . .
Told in the inventive, funny, and poignant voice of Jack, Room is a celebration of resilience-and a powerful story of a mother and son whose love lets them survive the impossible.

 

My review:  

I have to confess I had never heard of Emma Donoghue prior to the Oscar buzz that surrounded the film ‘Room’ earlier this year.  Because I have a rule that I never watch a movie that is based on a book until I have actually read the book, I immediately purchased a copy of ‘Room’ and settled in to find out why this story was generating so much interest.

There are some books that are out of sight, out of mind as soon as you finish reading the last page, and then there are others that crawl into your brain and won’t let go. ‘Room’ is most definitely the latter of the two.  I finished reading it a week ago and literally cannot stop thinking about it.  It’s just that mind blowing.

‘Room’ is a 12’x12’ shed where ‘Ma’ and her son, Jack, are living when the novel opens.  Ma was abducted when she was 19 years old and has been held captive in this room for seven years.  Jack, who is five years old (so yes, a child of rape), was born in this room and has never been outside of it.  This one room is literally his whole world.

What makes this story so unforgettable is the unique point of view from which it is told.  Instead of having Ma tell her story, which is what I would have expected, five-year old Jack is actually the narrator.  Because we are seeing the story unfold from Jack’s innocent perspective, rather than being plunged immediately into a horrific tale of kidnapping, imprisonment, and rape, instead we are presented with a view of everyday life in what Jack refers to as ‘Room’ and a beautiful story about a mother’s love for her child.  The first half of the novel paints a vivid picture of the world within ‘Room’ that Ma has painstakingly created for Jack.  The reader can see that Ma has clearly poured her heart and soul into shielding Jack from the reality of their imprisonment and into making his life as close to normal as she possibly can, given the circumstances.  And she has succeeded.  Jack truly believes that ‘Room’ is all there is and that anything else he sees on television is just make believe.  He has no idea that he and his mother are being held captive and that terrible things have happened to his mother since before he was born.

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five-stars

About Emma Donoghue

emma donoghue

Emma is the youngest of eight children of Frances and Denis Donoghue. She attended Catholic convent schools in Dublin, apart from one year in New York at the age of ten. In 1990 she earned a first-class honours BA in English and French from University College Dublin, and in 1997 a PhD (on the concept of friendship between men and women in eighteenth-century English fiction) from the University of Cambridge. Since the age of 23, Donoghue has earned her living as a full-time writer. After years of commuting between England, Ireland, and Canada, in 1998 she settled in London, Ontario, where she lives with her partner and their son and daughter.