Waiting on Wednesday – Spotlight on Fireblood by Elly Blake

New WoW“Waiting On” Wednesday is a weekly event, hosted at Breaking the Spine, which encourages fellow bloggers to spotlight upcoming releases that we’re excited about.

My “Waiting On” Wednesday selection for this week is Fireblood by Elly Blake. Even though I had some issues with the first book in this series, Frostblood, I still have high expectations for Fireblood. I like that it sounds like Ruby will be further exploring that dark side we saw towards the end of the first book when she first encounters the Minax. I think that exploration of her own darker nature and all that entails will add that extra something to make Fireblood a real standout in YA Fantasy reads this year.

Fireblood 

by Elly Blake

Publication Date:  September 12, 2017

From Amazon:

In this action-packed sequel to Frostblood, the future of Ruby’s world and a court ruled by the love of her life depends on the uncovered secrets of her past..

Against all odds, Ruby has defeated the villainous Frost King and melted his throne of ice. But the bloodthirsty Minax that was trapped inside is now haunting her kingdom and everyone she loves. The answers to its demise may lie to the south in Sudesia, the land of the Firebloods, and a country that holds the secrets to Ruby’s powers and past….

Despite warnings from her beloved Arcus, Ruby accompanies a roguish Fireblood named Kai to Sudesia, where she must master her control of fire in a series of trials to gain the trust of the suspicious Fireblood queen. Only then can she hope to access the knowledge that could defeat the rampaging Minax–which grows closer every moment. But as sparks fly in her moments alone with Kai, how can Ruby decide whom to trust? The fate of both kingdoms is now in her hands.

Praise for Frostblood, the first book in the series:

“Ruby’s a spitfire who faces her challenges with grit….”―Kirkus

“This strong debut for Blake succeeds in laying down intriguing framework for the books to come.”―Publishers Weekly

“This series opener is perfect for fans of Victoria Aveyard’s Red Queen and will delight those who love fantasy, adventure, and romance. A strong addition to any YA fantasy collection.”―School Library Journal

“With Arcus and Ruby happy at the end and a kingdom possibly restored, readers will have a contented if not surprised sigh.”―Bulletin of the Center for Children’s Books

“This enchanting and fast-paced debut lights up the page with magic, romance, and action, all of which is expertly interwoven throughout the text. Readers will be eagerly anticipating the next book in the series.”―Booklist

“With a fierce and vibrant world, richly-drawn characters, a steamy romance, and page-turning twists, Frostblood has all the elements of a great fantasy.”

Morgan Rhodes, New York Times bestselling author of the Fallen Kingdoms Series

“Compelling characters, a fascinating world, and an exhilarating story beautifully wrought in this must-read debut.”―Eve Silver, author of the Game series

“Fast-paced and brimming with magic and intrigue, Frostblood will keep you frozen in place until the last page and then leave you burning for more.”―Lori M. Lee, author of Gates of Thread and Stone

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I’d love to hear what upcoming book releases you’re waiting on this Wednesday? Leave me your link in the comments below and I’ll stop by and check out your WoW selection for this week. 🙂

Top Ten Tuesday – Top 10 YA Reads That Would Make Excellent Musicals

top ten tuesday

Top Ten Tuesday is a fun weekly meme hosted by The Broke and the Bookish. This week’s topic is “Top Ten Books I Wish Had (More/Less) X In Them (the original idea came from Andi who suggested top ten books I wish had more kissing which I thought could be fun but also realize it might not be everyone’s thing! Could also be top ten books I wish had more diversity in them or top ten books I wish had less violence in them or less romance focus in them or top ten books I wish had more dragons in them. IDK! Have some fun with this one!)”

I drew a serious blank on this topic no matter which way I tried to go. I gave up and sat down to watch the musical Grease for a while and then it hit me – what about great books that would be even more awesome if they were made into musicals?  I decided to focus on YA novels since that’s what I’ve been mostly reading lately, so here’s my list of 10 YA reads that I think would make excellent musicals. I can practically envision the costumes and hear the music just thinking about these titles!

Top 10 YA Reads That Would Make Excellent Musicals

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1. A DARKER SHADE OF MAGIC by V.E. Schwab

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2. A COURT OF THORNS AND ROSES by Sarah J. Maas

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3. CINDER by Marissa Meyer

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4. FROSTBLOOD by J.K. by Elly Blake

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5. EVER THE HUNTED by Erin Summerill

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6. SIMON VS. THE HOMO SAPIENS AGENDA by Becky Albertalli

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7. FANGIRL by Rainbow Rowell

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8. RED QUEEN by Victoria Aveyard

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9. ANNA & THE FRENCH KISS by Stephanie Perkins

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10. ELEANOR AND PARK by Rainbow Rowell

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Question:  What YA reads do you think would make excellent musicals?

Re-ReadIt Challenge: Review of Invisible Man by Ralph Ellison

Re-ReadIt Challenge: Review of Invisible Man by Ralph EllisonInvisible Man by Ralph Ellison
four-stars
Published by Vintage on February 1st 1995
Genres: Fiction
Pages: 581
Amazon
Goodreads

Goodreads Synopsis:

First published in 1952 and immediately hailed as a masterpiece, Invisible Man is one of those rare novels that have changed the shape of American literature. For not only does Ralph Ellison’s nightmare journey across the racial divide tell unparalleled truths about the nature of bigotry and its effects on the minds of both victims and perpetrators, it gives us an entirely new model of what a novel can be.

As he journeys from the Deep South to the streets and basements of Harlem, from a horrifying “battle royal” where black men are reduced to fighting animals, to a Communist rally where they are elevated to the status of trophies, Ralph Ellison’s nameless protagonist ushers readers into a parallel universe that throws our own into harsh and even hilarious relief. Suspenseful and sardonic, narrated in a voice that takes in the symphonic range of the American language, black and white, Invisible Man is one of the most audacious and dazzling novels of our century.

My Review:

I chose to re-read Ralph Ellison’s Invisible Man as my January entry for the ReReadIt Challenge hosted by Ashley at Inside My Minds.  I wanted to re-read this literary classic because I originally read it when I was a teenager and I don’t think I fully appreciated it on that first reading and so wanted to give it a second look.  I was also curious to see how relevant its themes still are today.  I’m glad I did choose to revisit Invisible Man because it truly stands the test of time as a literary classic and I actually believe its themes are more relevant than ever.

At its heart, Invisible Man is a powerful coming of age story.  An anonymous black man tells the story of his journey to adulthood as he tries to discover who he is and what his place is in an American society that makes no attempt to even hide its racist tendencies.  What kind of identity and sense of self-worth can he have in a society that refuses to see him and acknowledge that he does in fact, have any worth at all?

What I think makes Invisible Man such a powerful read is that the story is told in first person by the Invisible Man himself.  Seeing firsthand what he sees and experiences as he tries to make his own way in a society that is often hostile, at best confusing, and quite often filled with betrayal, really drives home the message of how dehumanizing life can be if those around you refuse to acknowledge that you are a human being and that you matter just as much as they do.

One vivid example that sticks out in my mind is when our unnamed narrator is a senior in high school and is chosen to give an important speech. Word gets out into the community about his oratory skills and about what a stellar student he is, and so he is invited to give his speech in front of an important group of white men in the community.  When he arrives, he is blindfolded and thrust into a ring with many other similarly blindfolded men where they are forced to fight each other like animals until the last one is standing.  This is of course pure sport for those white men who have organized this “entertainment” for themselves and completely humiliating and degrading for our young narrator.  It is especially heartbreaking seeing it from his perspective because he naively has no idea what they have in store for him, has come to the event all dressed up, and is diligently practicing his speech in his head right up until the moment he’s blindfolded and tossed into the fighting ring.  Afterwards, the white men excuse away their behavior by then allowing the narrator give his speech and then awarding him with a scholarship to an all black college.  What a painful and confusing message to give a young man!  “Here, we recognize that you are one of the best and brightest, but we we’re still going to go out of our way to put you in your place.”

We follow the narrator from his hometown and his university in the Deep South until he gets expelled from university.  His crime?  He was tasked with driving one of the school’s white trustees around while they were visiting the campus.  One of the places the trustee asked to visit turned out to be an unsavory part of town that sits right on the outskirts of the university.  According to the headmaster, our narrator irreparably damaged the school’s reputation and therefore had to leave.  The headmaster decides not to be completely heartless though and sends the narrator up north to Harlem, armed with a handful of sealed recommendation letters, to secure a job with someone connected to the university.  The narrator arrives in Harlem and starts dutifully dropping off the recommendation letters, determined to find a job as soon as possible because he is hoping to make the most of this opportunity for a fresh start since he can’t return to school.  The narrator’s bubble is quickly burst, however, when it is ultimately revealed to him that the letters he is handing out are not, in fact, recommendation letters at all, but instead, they are letters condemning him so as to sabotage his job searching efforts.

The rest of the novel tracks him as he continues to try to make his way in the world.  Every step of the way he encounters either hatred and bigotry or else people like the self-serving “Brotherhood” who recognize his oratory gift and want to use him to make speeches that advance their own causes. They promise they’re going to turn him into the next Frederick Douglass or W.E.B. DuBois, but then proceed to change the rules at every turn and use him as a scapegoat each time things don’t go according to plan.  Each experience only serves to strip away a little more of his innocence and his self-worth until he ultimately flees and turns to life underground, off the grid, which is where we find him when the story begins.

Invisible Man is not an easy read, by any stretch.  I won’t even classify it as entertaining because there’s nothing entertaining about racism and bigotry. I will classify this as an incredibly important read though because it gives a voice to those in society who have no voice. This is echoed in the final lines of the novel:  “Who knows but that, on the lower frequencies, I speak to you?”  The idea of giving voice to those who have no voice is just as relevant today as it was when Ellison wrote the book, especially when considered in light of the immigrant ban in the U.S.  It seems like more groups than ever are being made to feel invisible.

Note:  If you do read Invisible Man, I highly recommend reading it with the audible narration by Joe Morton from TV’s Scandal. I listened to this narration while I read and thought it really added a lot to the overall story.  Morton delivers a powerful reading that really highlights the nuances that might otherwise be missed – the initial innocence followed by increasing sarcasm and biting humor that develops as the narrator becomes further disillusioned with life.

 

Rating:  4 stars

four-stars

About Ralph Ellison

Ralph Ellison was a scholar and writer. He was born Ralph Waldo Ellison in Oklahoma City, Oklahoma, named by his father after Ralph Waldo Emerson. Ellison was best known for his novel Invisible Man, which won the National Book Award in 1953. He also wrote Shadow and Act (1964), a collection of political, social and critical essays, and Going to the Territory (1986). For The New York Times , the best of these essays in addition to the novel put him “among the gods of America’s literary Parnassus.” A posthumous novel, Juneteenth, was published after being assembled from voluminous notes he left after his death.

Ellison died of Pancreatic Cancer on April 16, 1994. He was eighty-one years old.

Waiting on Wednesday – Spotlight on Lincoln in the Bardo by George Saunders

New WoW“Waiting On” Wednesday is a weekly event, hosted at Breaking the Spine, which encourages fellow bloggers to spotlight upcoming releases that we’re excited about.

My “Waiting On” Wednesday selection for this week is Lincoln in the Bardo by George Saunders. I am not at all familiar with this author, but Abraham Lincoln has always interested me as a historical figure so this book got my attention as soon as I read the synopsis.  I think it sounds fascinating and so unique, although I will admit I’m a little leery because it is on a lot of ‘Most Anticipated’ book lists already.  I had a bad run last year reading books that appeared on those kinds of lists, so fingers crossed that my experience will be much better in 2017!

Lincoln in the Bardo 

by George Saunders

Publication Date:  February 14, 2017

From Amazon:

The long-awaited first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented.

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.

From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.

Lincoln in the Bardo
 is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

Praise for George Saunders

“No one writes more powerfully than George Saunders about the lost, the unlucky, the disenfranchised.”—Michiko Kakutani, The New York Times

“Saunders makes you feel as though you are reading fiction for the first time.”—Khaled Hosseini

“Few people cut as hard or deep as Saunders does.”—Junot Díaz

“George Saunders is a complete original. There is no one better, no one more essential to our national sense of self and sanity.”—Dave Eggers

“Not since Twain has America produced a satirist this funny.”—Zadie Smith

“There is no one like him. He is an original—but everyone knows that.”—Lorrie Moore

“George Saunders makes the all-but-impossible look effortless. We’re lucky to have him.”—Jonathan Franzen

“An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times.”—Thomas Pynchon

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I’d love to hear what upcoming book releases you’re waiting on this Wednesday? Leave me your link in the comments below and I’ll stop by and check out your WoW selection for this week. 🙂