Eric Lindstrom enjoys writing Young Adult novels, including his debut novel Not If I See You First in 2015 followed by A Tragic Kind of Wonderful.

English publication of both in the USA is by the Poppy imprint of Little, Brown for Young Readers, and in the UK and the rest of the world by HarperCollins Children’s Books.

He has worked in the interactive entertainment industry for years as a creative director, game designer, writer, and combinations of all three. As Editor and Co-Writer for Tomb Raider: Legend he received a 2006 BAFTA nomination for Best Video Game Screenplay. As Creative Director and writer for Tomb Raider: Underworld he received a 2009 BAFTA nomination for Best Action Adventure Video Game and a 2009 Writers Guild of America (WGA) nomination for Best Writing in a Video Game.

He also raised children, which led to becoming first a school volunteer, then a substitute teacher, then a part time kindergarten teacher, then getting a credential to teach elementary school, and most importantly the discovery that Young Adult books are awesome. It’s pretty much all he ever reads, and now writes, in his house near the beach on the west coast, with his wife and, yes, cats.

Book Review: A Tragic Kind of Wonderful

Book Review:  A Tragic Kind of WonderfulA Tragic Kind of Wonderful by Eric Lindstrom
four-stars
Published by Poppy on February 7th 2017
Genres: Contemporary Fiction, Young Adult Fiction
Pages: 288
Source: Library
Amazon
Goodreads

Goodreads Synopsis:  For sixteen-year-old Mel Hannigan, bipolar disorder makes life unpredictable. Her latest struggle is balancing her growing feelings in a new relationship with her instinct to keep everyone at arm’s length. And when a former friend confronts Mel with the truth about the way their relationship ended, deeply buried secrets threaten to come out and upend her shaky equilibrium.

As the walls of Mel’s compartmentalized world crumble, she fears the worst—that her friends will abandon her if they learn the truth about what she’s been hiding. Can Mel bring herself to risk everything to find out?

 

MY REVIEW

A Tragic Kind of Wonderful follows the story of Mel Hannigan, a 16-year-old who is living with bipolar disorder.  Life with bipolar disorder is not easy, as we witness through Mel’s day-to-day struggles with the disorder, but for the most part, Mel seems to have things under control.  Where Mel really struggles though, as do so many others who are living with mental illness, is with her refusal to let anyone outside of her immediate family know that she has bipolar disorder. She fears the stigma of mental illness — that her friends will start to treat her differently or that she’ll become defined by her illness.  Rather than opening up to her friends and possibly allowing them to be a part of her support system, Mel instead chooses to keep her disorder a secret.

Mel is also living with another secret that is eating away at her.  Bipolar disorder has a genetic component — her beloved older brother Nolan had the disorder as well.  Tragically, he ended up dying because of it and what happened to him is a constant source of fear for Mel.  If she can’t control her disorder, will she suffer a fate like her brother’s? So not only does Mel not tell people about how her brother died, but now that she is starting at a new school, she doesn’t even tell people that she ever had a brother. She pretends to be an only child.

Those are some pretty big secrets for a 16-year-old to be carrying around and much of the novel focuses on how keeping those secrets really starts to negatively impact Mel’s life.  Just before Mel is officially diagnosed with bipolar, she has an episode that results in a huge fight between her and her best friends, Annie, Zumi, and Connor.  Her episode escalates immediately following the fight and she ends up hospitalized and doesn’t return to school for weeks and weeks.  She refuses to contact her friends because of what she’s going through and so they basically turn on her, assuming the worst about her because of some lies that Annie is spreading about her. By the time Mel does return to school, she basically has no friends and chooses not to make anymore because it’s easier to just keep people at arm’s length. She has a couple of casual acquaintances that she’ll chat with, but that’s it. A chance run-in with Connor a few months later clues Mel in that maybe keeping her disorder a secret and refusing to explain why she behaved the way she did during their fight wasn’t the best course of action, but by that point, it’s too late – the damage is already done. It still hurts though because she really misses Zumi, in particular.

Keeping her disorder a secret also impacts Mel’s romantic life as well. One day while working at the local senior center, Mel meets a boy that she thinks she might like to date.  Mel is immediately tormented by her usual concerns – how can I get close to this boy without him finding out about my disorder and, if he does find out, is he going to treat me differently because of it? Along with how she’s feeling about what happened with her friends, Mel ends up on a pretty big emotional roller coaster ride and the main question of the novel becomes how long can she continue to cope with her disorder while dealing with all these mixed emotions and keeping so many secrets.

LIKES

I really liked Mel a lot.  She’s a nice girl and I immediately sympathized with everything she’s going through.  One of the qualities I liked most about her is the way she handles herself at the senior center with the elderly residents.  She loves working with them and cheering them up if they’re having a down day or aren’t adjusting well to living there.  At the same time, however, she is self-aware enough to know when she’s on a downward cycle with her bipolar disorder and isolates herself from the residents because she doesn’t want to bring them down with her.  I was really touched by that level of sensitivity and caring.

I also liked how the author, Eric Lindstrom, accurately portrays bipolar disorder as a disorder that is unique to each person who has it. Not everyone who has bipolar experiences the exact same ups and downs, and some like Mel are what are called rapid cyclers.  I thought he did a wonderful job of capturing Mel’s ups and downs and of showing us that even though Mel has bipolar disorder, there is still so much more to her than her disorder.

My absolute favorite part of the book was the overriding theme that sometimes you need help in life.  Sometimes no matter how independent we think we are or how afraid we might be of being judged, we still need to reach out to others.  There are some problems out there that are just too big to handle alone.  I think that lesson is true not just for someone who is coping with a mental illness, but for all of us.  Sometimes we all have to let people in.

DISLIKES

The only real issue I had with A Tragic Kind of Wonderful was that it felt like Mel’s drama with her ex-circle of friends often took up too much of the story.  While I understood that the drama was meant to show it’s unhealthy for a person to try to hide their mental illness from those who care about them, it still just felt like too much time was spent delving into Mel’s relationships with both Annie and Zumi and seeing what led to the collapse of their friendship.  It’s one of those things that probably won’t bother other readers, but it just started to feel like a bit of a distraction to me.

FINAL THOUGHTS

A Tragic Kind of Wonderful is a beautifully written YA contemporary that paints an accurate and vivid portrait of bipolar disorder while simultaneously breaking down the stigma that is often associated with mental illness.  If you enjoyed books such as Jennifer Niven’s All the Bright Places and Emery Lord’s When We Collided, I think you would enjoy this read as well.

 

RATING:  4 STARS

four-stars

About Eric Lindstrom

Eric Lindstrom enjoys writing Young Adult novels, including his debut novel Not If I See You First in 2015 followed by A Tragic Kind of Wonderful.

English publication of both in the USA is by the Poppy imprint of Little, Brown for Young Readers, and in the UK and the rest of the world by HarperCollins Children’s Books.

He has worked in the interactive entertainment industry for years as a creative director, game designer, writer, and combinations of all three. As Editor and Co-Writer for Tomb Raider: Legend he received a 2006 BAFTA nomination for Best Video Game Screenplay. As Creative Director and writer for Tomb Raider: Underworld he received a 2009 BAFTA nomination for Best Action Adventure Video Game and a 2009 Writers Guild of America (WGA) nomination for Best Writing in a Video Game.

He also raised children, which led to becoming first a school volunteer, then a substitute teacher, then a part time kindergarten teacher, then getting a credential to teach elementary school, and most importantly the discovery that Young Adult books are awesome. It’s pretty much all he ever reads, and now writes, in his house near the beach on the west coast, with his wife and, yes, cats.